The Amateur is well-directed, with an engaging enough visual look to keep the runtime going, as well as a strong score by Oscar winner Volker Bertelmann. However, it settles for mediocre as often as it becomes thrilling. Rami Malek is excellently cast in the role, but in earlier moments in the film, his performance still feels distant, and gets to shine more later, or sometimes the editing is to blame for not letting us sit with Charlie’s grief and pain for longer in certain scenes. Holt McCallany is especially memorable as the tough CIA Deputy Director, as is Laurence Fishburne a resourceful yet more empathetic CIA operative. Despite the packed cast, the story itself sometimes feels muted, including a lack of true exploration of the idea that this hardly trained man is committing elaborately planned out killings that would be viewed as sadistic if the men he was killing weren’t murderous terrorists. The dialogue also sometimes falters, but the elements of the formula...
War is hell, and every once in a while, a film comes along that drags you through that hell in a way that’ll leave you utterly shell shocked. Warfare is among the most harrowing, visceral and realistic war movies of all time. Alex Garland and Ray Mendoza have crafted a brutal recount of true events that needs to be experienced in theatres. Set in 2006, we follow a young group of U.S. Navy Seals stationed in Iraq during a surveillance mission gone wrong. The opening scene (featuring Eric Prydz’s “Call on Me” thumping on full blast) is extremely effective in giving us one of the few moments of levity throughout the entire film. The slow mounting tension leading up to the main conflict had my heart racing and palms firmly gripping the armrest. With a bare bones narrative stripped of any excess, this movie gets right to the point by throwing us directly into these soldiers’ boots. The specifics of the mission aren’t stated. You won’t find any exposition. Warfare sets out to rea...