Skip to main content

The Seed of The Sacred Fig | TIFF 2024 | Review by: Stefano Bove


 Written and directed by Mohammad Rasoulof. This anti-patriarchal thriller follows a family of four living in Iran. Iman is the head of the household and holds an extremely important job in government. He is married and has two daughters; Sana and Rezvan. The daughters want freedom; freedom to walk freely without needing to cover their face and not live by the rules of men. Unfortunately, their fathers job is to uphold their laws and this is the cause of the tension within the family. 

What happens when the belief within your own household is questioned? This is the struggle that so many woman in Iran are dealing with every single day as they fight for their freedom to do the most basic things in life. They are fighting from the patriarchy in their country and in this case, even their own father. 

Reading about director Mohammad Rasoulof 's work experience is incredibly shocking and brave. The man has made many films in the form of protest against his own country that has been met with jail time on several occasions. Rasoulof's resolve to speak his mind and protect the women in his country. 

The film centres around protests happening all around the country and even includes social media clips within the film. Many of these scenes are hard to watch but necessary for all to see. There is alot of symbolism coated within the movie in an effort to hide some of the messages. Even the title itself is symbolic of the Iranian Regime's hold on the population. 

Seed of the Sacred Fig is a revolutionary film that uses art as a form to further fuel the necessary protests for rights and freedom. 

5/5

Review by: Stefano Bove

Popular posts from this blog

Rating all V/H/S/Halloween Segments

Like sorting through your candy after a night of trick-or-treating, V/H/S/ Halloween is a mixed bag. The eighth instalment in this cult-favourite horror anthology series comes up short of previous entries, but there are still a couple of treats in here that should satisfy your twisted cravings. A chilling still from V/H/S/ Halloween . Diet Phantasma This wraparound segment follows an R&D team testing a new low-calorie soda made with “real ghosts.” It’s silly fun, but gets a bit repetitive with each new test subject. The commercial playing during the end credits was a nice touch. Rating: ★★½☆ Coochie Coochie Coo This short feels like walking through a haunted house — but not in a good way. The plot is like something torn from a creepypasta thread. Everything is constantly being spelled out in a painfully obvious way. The practical effects and makeup are decent, and this is probably the only segment that comes close to being scary...

The Mandalorian Season 3 Review

  Listen, I love Star Wars. I will always love Star Wars.  The  original and prequel trilogies were a big part of my childhood, and helped shape my love of cinema. While  The   Mandalorian  isn’t among my favourites in  the  franchise, I thought it had a promising first season and a significantly stronger season two. Season three had so much potential, but a frustrating lack of focus held it back from greatness.  This show’s always had a bit of an identity crisis, but it’s never been as clear as it is here. Does it want to be a procedural-style adventure of  the  week, or tell an epic, multi-season spanning arc? Season one leaned toward  the  former, while Season two found a satisfying balance of both. Season three tries to find that balance, but  the  overarching story it wants to tell is bigger than  the  few episodes allotted to do so. There are only 8 chapters, some barely over 30 min. That’s a fair...

The Rip Review

  The Rip is all the evidence you need that a great cast can elevate an otherwise run-of-the-mill movie. Without its impressive A-list roster, this would’ve likely been lost among a crowd of forgettable January dumping ground releases. Throw Matt Damon, Ben Affleck and a handful of other extremely talented actors into the mix, though, and now you’ve got something worth watching.  While there are exceptions that prove the rule, a lot of these police/cartel thrillers are interchangeable when it comes to their cookie-cutter story beats. The Rip breaks exactly zero molds, but it also doesn’t feel as uninspired as it could’ve. There are enough surprises to keep things engaging, and the tension - which the movie often hinges on - is appropriately high strung. The action is punchy and loud, which is no surprise coming from Director Joe Carnahan. While I do have minor issues with some of the sequences feeling a bit choppy in how they were shot and edited, the action is solid and packs...