Skip to main content

Venom: The Last Dance | Review by: Gal Balaban


The third and final Venom movie offers much stronger laughs due to the bromance between Eddie and Venom. Though there’s still a fair share of cringe, there are some more genuinely funny moments, which for some is all you can ask for from these movies. But it’s hard to pinpoint whether it’s a genuinely better movie than its predecessors, or the bar was set so low by them that enjoying this one is a little easier. Not to mention, coming out after Morbius and Madame Web does this movie many favors considering it’s nowhere near as unwatchable, but how high of a compliment is that really for a movie? Where the film struggles again is making any sense of its story or having any engaging conflict beyond its titular dynamic. For the first bit of the movie, I was enjoying the chemistry between Tom Hardy and the CGI black blob much more than in the past films, but it soon descends into the same dull action scenes and tedious symbiote science exposition these films have subjected us to before.

The action scenes, including the uninspired CGI character designs, feel recycled and unattractive and do nothing different from the past films, as well as a few uninspired soundtrack choices. The rules to the conflicts are inconsistent and contrived, not to mention the disappointing use of great actress Juno Temple, who’s mostly just there to give exposition and stand on the sidelines. It’s also slightly distracting to have cast Chiwetel Ejiofor and Rhys Ifans, who have already had other Marvel roles, and Ejiofor’s character has no depth or originality to him. Every time we come back to the fighting and stakes, it’s hard to care, especially due to a few unrewarding story threads. It’s much more of the same, and leaves no impression despite its efforts to close out the trilogy. It may be the best of these films but that’s hardly a compliment considering how mindless and uninspired they already were.


2/5

Review by: Gal Balaban 




Popular posts from this blog

The Mandalorian Season 3 Review

  Listen, I love Star Wars. I will always love Star Wars.  The  original and prequel trilogies were a big part of my childhood, and helped shape my love of cinema. While  The   Mandalorian  isn’t among my favourites in  the  franchise, I thought it had a promising first season and a significantly stronger season two. Season three had so much potential, but a frustrating lack of focus held it back from greatness.  This show’s always had a bit of an identity crisis, but it’s never been as clear as it is here. Does it want to be a procedural-style adventure of  the  week, or tell an epic, multi-season spanning arc? Season one leaned toward  the  former, while Season two found a satisfying balance of both. Season three tries to find that balance, but  the  overarching story it wants to tell is bigger than  the  few episodes allotted to do so. There are only 8 chapters, some barely over 30 min. That’s a fair...

Boss Level Film Review

       Boss Level is a new addition to the time loop genre, with a twist. Ex-special forces officer, Roy Pulver, played by Frank Grillo, relives the same day until he dies. Every day he is hunted by assassins and when killed, he wakes up back in his bed where he started, only to have to try and survive all over again. Roy has no idea why he is stuck in this infinite time loop but he must do what he can to survive, and the longer he survives, the more he uncovers about his particular situation.  Unlike most action films that take time to build up, this film gets right into it and offers tons of non-stop combat sequences that would satisfy any lover of action films. Its erratic flow makes for some fun action scenes which come out of nowhere since Roy can expect the assassins to attack at any moment. If you play video games often and have ever been stuck on a level for hours or even days, you know the feeling of having to repeat the same thing over and over again u...

Beautiful Evening, Beautiful Day | Review by: Stefano Bove

  Four close friends and renowned filmmakers in 1959’s Yugoslavia are out to make a feature film of the war. They have a unique perspective and are able to discuss the war as decorated war veterans. Lovro, Nenad, Stevan and Ivan use film to express themselves and criticize society but that doesn’t sit well with the Yugoslavian Communist Party. As The Party steps in to control the film for propagandistic reasons, the four filmmakers fear it may be to gain insight on their sexual orientation. Emir Hadžihafizbegović is entrusted by the head of the Communist Party to oversee the films production but is also told by the party to sabotage the film by any means necessary. Emir as well as our four filmmakers are all exceptional in this film. The dynamic between these five actors is a wave of emotions as Emir hides his true intentions and the filmmakers hide their sexual orientation from the world. The film is in a gorgeous black and white and boasts absolutely stunning cinematography from ...