Skip to main content

Severance Season 2 | Review by: Benjamin Garrett


After leaving us dangling on a massive cliffhanger for nearly three years, AppleTV’s hit mystery-box series is back for its sophomore outing. This season is bigger, more ambitious and doubles down on the strangeness factor. While it does answer a ton of burning questions, it also suffers slightly from the carrot and stick formula these types of shows often rely too heavily on. 


A huge part of Severance’s appeal are the many mysteries it allows us to unravel as the show progresses. This season continues to unspool existing threads, while dropping plenty of new ones to expand the world. What these new episodes excel at is further exploring the line between the characters’ innies and outies, and the ethical dilemmas that stem from two separate beings sharing one body. Viewers with keen eyes will find plenty of small clues to fuel their theories, but there are some big revelations made as well. This season isn’t as concise with its storytelling, delivering a little more padding leading up to its thrilling finale. The “filler” is still intriguing in its own right, but I’m hoping it’s not a sign that the show is going to draw out its eventual conclusion. 


The series continues to be a brilliantly crafted technical knockout. This is arguably the best looking original AppleTV has ever produced. The striking use of limited (but meticulously chosen) colour makes every frame pop off the screen. A lot of time is spent in the sterile white corridors of Lumon, yet the creative direction and cinematography allow each shot to feel unique. There’s a lot of wildly impressive camera work that shows how much the crew cares about delivering something of the highest calibre. The editing is also razor sharp, especially when it comes to dizzily flipping between innies and outies. 


I have to commend the cast this season as well. Last season we really only saw two versions of Mark, but this season we get both versions of the entire MDR team. Britt Lower in particular delivers a standout performance, as both versions of Helly couldn’t be more different. Adam Scott’s work this season is outstanding. Mark is carrying the emotional weight of the revelations made last season, and the impossible decisions his innie and outie must make to do what’s right by his friends, family and coworkers. Scott absolutely nails the sense of inner turmoil, as we watch Mark wrestle with the best interests of both versions of himself. 


Severance season two was worth the long wait. This sophomore outing delivers more of the mystery, strangeness and fascinating character dynamics that made the show such a massive hit. There’s a little more filler this time around, but “the work is mysterious and important”, so I’m still very intrigued to see where the show takes us next. 


4/5 


Review by; Benjamin Garrett




Popular posts from this blog

The Mandalorian Season 3 Review

  Listen, I love Star Wars. I will always love Star Wars.  The  original and prequel trilogies were a big part of my childhood, and helped shape my love of cinema. While  The   Mandalorian  isn’t among my favourites in  the  franchise, I thought it had a promising first season and a significantly stronger season two. Season three had so much potential, but a frustrating lack of focus held it back from greatness.  This show’s always had a bit of an identity crisis, but it’s never been as clear as it is here. Does it want to be a procedural-style adventure of  the  week, or tell an epic, multi-season spanning arc? Season one leaned toward  the  former, while Season two found a satisfying balance of both. Season three tries to find that balance, but  the  overarching story it wants to tell is bigger than  the  few episodes allotted to do so. There are only 8 chapters, some barely over 30 min. That’s a fair...

Boss Level Film Review

       Boss Level is a new addition to the time loop genre, with a twist. Ex-special forces officer, Roy Pulver, played by Frank Grillo, relives the same day until he dies. Every day he is hunted by assassins and when killed, he wakes up back in his bed where he started, only to have to try and survive all over again. Roy has no idea why he is stuck in this infinite time loop but he must do what he can to survive, and the longer he survives, the more he uncovers about his particular situation.  Unlike most action films that take time to build up, this film gets right into it and offers tons of non-stop combat sequences that would satisfy any lover of action films. Its erratic flow makes for some fun action scenes which come out of nowhere since Roy can expect the assassins to attack at any moment. If you play video games often and have ever been stuck on a level for hours or even days, you know the feeling of having to repeat the same thing over and over again u...

Better Man | Review by: Benjamin Garrett

  What at first feels like a CGI gimmick allows Better Man to climb and swing it’s way beyond standard biopic conventions. This larger than life musical is worth a watch even if, like me, you needed to ask “Who the hell is Robbie Williams?”.  A pop icon in the UK who didn’t quite make a household name for himself in North America, Robbie Williams bares his life (the good the bad and the drug fueled ugly) in this dazzling account of his rise to fame. Musician biopics often focus too heavily on the creation of the artist’s work, and not enough on the actual artist. Better Man gives audiences a sobering portrait of the man behind the monkey, with his songs placed in pivotal life and career moments to move the narrative forward. This works especially well if you aren’t entirely familiar with Williams’ work, because you won’t find yourself waiting to hear specific needle drops. Instead they flow organically into the story, with gorgeously choreographed musical numbers.  And bo...