Have politics and art always been inseparable? And what happens when the pressure one puts on the other threatens to collapse an industry, and more importantly, one man’s code? Fares Fares gives an excellent performance as a famous Egyptian actor forced into a propaganda film by the regime. There’s a desire to do good hidden underneath the arrogance and ego that he carelessly emulates, despite his many errors.
The film continues to thrill as you’re left guessing what will topple this man and in what direction, as well as the far-reaching ruthlessness of dictatorships who censor dissent and punish it with even death. It presents interesting themes about cinema’s ability when weaponized by artists to rebel, or worse, an authoritarian government to enslave and deceive its people endlessly.
4/5
Review by: Gal Balaban
