Skip to main content

Everything Everywhere All At Once Film Review

              




Everything Everywhere All At Once is an absolutely bonkers ride through the multiverse. Move over Dr. Strange, Evelyn Wang is here to save the multiverse and herself in the process.


Evelyn has a major communication issue that steams from her relationship with her father and has made her want to Avoid conflict at all cost while bottling up her anger and frustration. In turn, this has driven a wedge in her relationships with her Husband and Daughter. Constant feelings of regret fill Evelyn’s day as she reflects on what could have been; Is owning a Laundromat really all she was meant to do? This weight bears down on Evelyn as everything around her seems to be crumbling, including the multiverse. 


Evelyn is sent on a crazy trip across the multiverse to save both her family and herself. While on this journey, Evelyn is introduced to dozens of versions of the people in her life. What plays out like a way cooler version of a Christmas Carol, for better or worse, we see how completely bonkers the universe can be. 


All of these crazy ideas really allow us to tap into the imagination of The Daniels. Their unique directing and writing style have been evident since Swiss Army Man but Everything Everywhere All At Once allows for the creative freedom to let their imagination run wild. Their creative genius is evident in every aspect of this film; The cinematography, sound and writing all worked in unison to deliver this exceptional piece of art. The fact that they were able to accomplish so much with such a small budget (in comparison to so many action films) is a reminder that you are only limited to your imagination. 


The writing in this film is truly amazing, everything has meaning and everything is connected to everything. You must pay attention 


Most people will enjoy this movie just for all of the crazy antics and action but it is also truly heartfelt. Evelyn is on a journey of self discovery and mending the generational trauma her family and herself have endured all their lives. 


Waymond is a fantastic character and I am so pleased that Ke Huy Quan is acting again; it truly puts a smile on my face. Waymond teaches us not to take life to seriously and enjoy the ride. Everyone can learn from these simple lessons as life becomes harder to balance when you age. Waymond plays this important balance and contrast to Evelyn’s character. 


Very few movies have pushed me to ride a wave of emotion so seamlessly without being corny. There are so many moments of absolute wackiness that can only work in a movie like this, which makes it incredibly unique. 


So far, this is one of my favourite films of the year and will be really hard to top. It is a shame that it is not getting a wider release but hopefully it will with word of mouth. Everything Everywhere opens in theatres this weekend April 8th in select theatres in major cities. 


Plot: 8/10

Theme: 9/10

Acting: 9/10

Script: 9/10

Directing: 10/10

Score/Music: 8/10

Cinematography: 9/10

Editing/Effects: 8/10

Uniqueness: 10/10

Rewatchability: 9/10


Overall: 4.5 / 5


Review Contributor: Stefano Bove


Popular posts from this blog

Rating all V/H/S/Halloween Segments

Like sorting through your candy after a night of trick-or-treating, V/H/S/ Halloween is a mixed bag. The eighth instalment in this cult-favourite horror anthology series comes up short of previous entries, but there are still a couple of treats in here that should satisfy your twisted cravings. A chilling still from V/H/S/ Halloween . Diet Phantasma This wraparound segment follows an R&D team testing a new low-calorie soda made with “real ghosts.” It’s silly fun, but gets a bit repetitive with each new test subject. The commercial playing during the end credits was a nice touch. Rating: ★★½☆ Coochie Coochie Coo This short feels like walking through a haunted house — but not in a good way. The plot is like something torn from a creepypasta thread. Everything is constantly being spelled out in a painfully obvious way. The practical effects and makeup are decent, and this is probably the only segment that comes close to being scary...

The Mandalorian Season 3 Review

  Listen, I love Star Wars. I will always love Star Wars.  The  original and prequel trilogies were a big part of my childhood, and helped shape my love of cinema. While  The   Mandalorian  isn’t among my favourites in  the  franchise, I thought it had a promising first season and a significantly stronger season two. Season three had so much potential, but a frustrating lack of focus held it back from greatness.  This show’s always had a bit of an identity crisis, but it’s never been as clear as it is here. Does it want to be a procedural-style adventure of  the  week, or tell an epic, multi-season spanning arc? Season one leaned toward  the  former, while Season two found a satisfying balance of both. Season three tries to find that balance, but  the  overarching story it wants to tell is bigger than  the  few episodes allotted to do so. There are only 8 chapters, some barely over 30 min. That’s a fair...

The Rip Review

  The Rip is all the evidence you need that a great cast can elevate an otherwise run-of-the-mill movie. Without its impressive A-list roster, this would’ve likely been lost among a crowd of forgettable January dumping ground releases. Throw Matt Damon, Ben Affleck and a handful of other extremely talented actors into the mix, though, and now you’ve got something worth watching.  While there are exceptions that prove the rule, a lot of these police/cartel thrillers are interchangeable when it comes to their cookie-cutter story beats. The Rip breaks exactly zero molds, but it also doesn’t feel as uninspired as it could’ve. There are enough surprises to keep things engaging, and the tension - which the movie often hinges on - is appropriately high strung. The action is punchy and loud, which is no surprise coming from Director Joe Carnahan. While I do have minor issues with some of the sequences feeling a bit choppy in how they were shot and edited, the action is solid and packs...