Skip to main content

Thor Love and Thunder Film Review

            




 


With Ragnarok, Taika Waititi captured lightning in a bottle (pun intended). He took an MCU solo series that was struggling after two lacklustre entries, and infused it with just enough of his own unique style, giving us one of the very best Marvel movies. Here we are 5 years later with a sequel that doubles down on everything Ragnarok did right, although maybe doubling down wasn’t the best idea.


How you approach Thor: Love and Thunder will make a big difference in how you feel leaving the theatre afterwards. Go in expecting an important chapter in the MCU’s Phase 4, and you may leave disappointed. Go in expecting a quirky, fun Taika Waititi movie, and you’ll likely have a great time. This entry is packed with Waititi’s recognizable brand of offbeat humour, but the plot doesn’t feel fully formed this time around. It’s not that the movie is uneventful, but considering the villain is called “The God Butcher”, the stakes never feel very high. It also leans heavily on comedy - more than any other Marvel movie, in fact.


Chris Hemsworth continues to prove there’s nobody worthy of playing The God of Thunder like he does. He’s made this character his own over the last decade, and he brings that same energy and charisma to the screen once again. Natalie Portman steps back into the role of Jane Foster, and her version of Mighty Thor is a welcome addition. As for Christian Bale - he’s unsurprisingly excellent, but his character is vastly under-utilized.


Just as the soundtrack plays like a GNR greatest hits album, this movie plays like a greatest hits for Thor. Filled with everything we love about the character, including the signature quirkiness that made Ragnarok such a hit. More of the same isn’t necessarily a bad thing, but it leaves us with an instalment destined to live in the shadow of its predecessor.


For the full review, be sure to check out Ben's page @moviereviewswithben


Plot: 6/10

Theme: 7/10

Acting: 8/10

Script 6/10

Directing: 7/10

Score/Music: 8/10

Cinematography: 7/10

Editing and Effects: 7/10

Uniqueness: 7/10

Rewatchability: 6/10


Overall: 3.5 / 5

Popular posts from this blog

Rating all V/H/S/Halloween Segments

Like sorting through your candy after a night of trick-or-treating, V/H/S/ Halloween is a mixed bag. The eighth instalment in this cult-favourite horror anthology series comes up short of previous entries, but there are still a couple of treats in here that should satisfy your twisted cravings. A chilling still from V/H/S/ Halloween . Diet Phantasma This wraparound segment follows an R&D team testing a new low-calorie soda made with “real ghosts.” It’s silly fun, but gets a bit repetitive with each new test subject. The commercial playing during the end credits was a nice touch. Rating: ★★½☆ Coochie Coochie Coo This short feels like walking through a haunted house — but not in a good way. The plot is like something torn from a creepypasta thread. Everything is constantly being spelled out in a painfully obvious way. The practical effects and makeup are decent, and this is probably the only segment that comes close to being scary...
Read more

The Mandalorian Season 3 Review

  Listen, I love Star Wars. I will always love Star Wars.  The  original and prequel trilogies were a big part of my childhood, and helped shape my love of cinema. While  The   Mandalorian  isn’t among my favourites in  the  franchise, I thought it had a promising first season and a significantly stronger season two. Season three had so much potential, but a frustrating lack of focus held it back from greatness.  This show’s always had a bit of an identity crisis, but it’s never been as clear as it is here. Does it want to be a procedural-style adventure of  the  week, or tell an epic, multi-season spanning arc? Season one leaned toward  the  former, while Season two found a satisfying balance of both. Season three tries to find that balance, but  the  overarching story it wants to tell is bigger than  the  few episodes allotted to do so. There are only 8 chapters, some barely over 30 min. That’s a fair...
Read more

Boss Level Film Review

       Boss Level is a new addition to the time loop genre, with a twist. Ex-special forces officer, Roy Pulver, played by Frank Grillo, relives the same day until he dies. Every day he is hunted by assassins and when killed, he wakes up back in his bed where he started, only to have to try and survive all over again. Roy has no idea why he is stuck in this infinite time loop but he must do what he can to survive, and the longer he survives, the more he uncovers about his particular situation.  Unlike most action films that take time to build up, this film gets right into it and offers tons of non-stop combat sequences that would satisfy any lover of action films. Its erratic flow makes for some fun action scenes which come out of nowhere since Roy can expect the assassins to attack at any moment. If you play video games often and have ever been stuck on a level for hours or even days, you know the feeling of having to repeat the same thing over and over again u...
Read more