Skip to main content

Andor Season 1 Review


I’m going to make a bold statement here, but one I honestly believe to be true. Andor is the best Star Wars has been since the Original Trilogy. Fans in search of epic space battles, lightsaber duels, or a direct connection to the Skywalker Saga may walk away disappointed. However, those in search of a deeper, more mature entry in this long-standing franchise will bask in everything the show has to offer.


Star Wars has always been more focused on telling a big, sweeping story filled with exciting action sequences. The galaxy always felt huge, but it never really felt full. Andor changes all of that, with a grounded and personal story unlike anything Star Wars has given us before. This is a thoughtfully constructed, character-driven series that adds depth and life to the galaxy in ways none of the movies or shows have been able to.

With twelve episodes, this is the longest Disney Plus series yet, giving the story ample room to breathe and develop at a natural pace. It smartly avoids the “episode of the week” feeling by splitting the season into a handful of multi-episode arcs, tied together through exceptionally written characters. We are given an in-depth look at the catalysts that sparked the rebellion and the inner workings of The Empire. The world-building is honestly incredible, with rich details peppered throughout each and every location.

If the excellent writing wasn’t enough to grab your attention, this also happens to be the best-looking and sounding Star Wars series yet. The cinematography is often awe-inspiring, with a variety of gorgeous locations throughout the season (fear not, there’s more than just sand in this one). The sound design, from the buzzing of a prison alarm to the terrifying roar of a Tie Fighter flying through a valley, is sublime. The original score from Succession composer Nicholas Britell is outstanding, and honestly some of the best in film or television this year.

Andor is the breath of fresh air that Star Wars needed and stands among the best of the entire Saga. Its praiseworthy dialogue and character work, paired with exquisite production design make for one of the best shows of 2022.

Review By: Benjamin Garrett

4.5/5

#starwars #disney #disneyplus #rogue1 #andor


Popular posts from this blog

Rating all V/H/S/Halloween Segments

Like sorting through your candy after a night of trick-or-treating, V/H/S/ Halloween is a mixed bag. The eighth instalment in this cult-favourite horror anthology series comes up short of previous entries, but there are still a couple of treats in here that should satisfy your twisted cravings. A chilling still from V/H/S/ Halloween . Diet Phantasma This wraparound segment follows an R&D team testing a new low-calorie soda made with “real ghosts.” It’s silly fun, but gets a bit repetitive with each new test subject. The commercial playing during the end credits was a nice touch. Rating: ★★½☆ Coochie Coochie Coo This short feels like walking through a haunted house — but not in a good way. The plot is like something torn from a creepypasta thread. Everything is constantly being spelled out in a painfully obvious way. The practical effects and makeup are decent, and this is probably the only segment that comes close to being scary...

The Mandalorian Season 3 Review

  Listen, I love Star Wars. I will always love Star Wars.  The  original and prequel trilogies were a big part of my childhood, and helped shape my love of cinema. While  The   Mandalorian  isn’t among my favourites in  the  franchise, I thought it had a promising first season and a significantly stronger season two. Season three had so much potential, but a frustrating lack of focus held it back from greatness.  This show’s always had a bit of an identity crisis, but it’s never been as clear as it is here. Does it want to be a procedural-style adventure of  the  week, or tell an epic, multi-season spanning arc? Season one leaned toward  the  former, while Season two found a satisfying balance of both. Season three tries to find that balance, but  the  overarching story it wants to tell is bigger than  the  few episodes allotted to do so. There are only 8 chapters, some barely over 30 min. That’s a fair...

The Rip Review

  The Rip is all the evidence you need that a great cast can elevate an otherwise run-of-the-mill movie. Without its impressive A-list roster, this would’ve likely been lost among a crowd of forgettable January dumping ground releases. Throw Matt Damon, Ben Affleck and a handful of other extremely talented actors into the mix, though, and now you’ve got something worth watching.  While there are exceptions that prove the rule, a lot of these police/cartel thrillers are interchangeable when it comes to their cookie-cutter story beats. The Rip breaks exactly zero molds, but it also doesn’t feel as uninspired as it could’ve. There are enough surprises to keep things engaging, and the tension - which the movie often hinges on - is appropriately high strung. The action is punchy and loud, which is no surprise coming from Director Joe Carnahan. While I do have minor issues with some of the sequences feeling a bit choppy in how they were shot and edited, the action is solid and packs...