Skip to main content

Dead To Me Season 3 Review


 Anytime I see a show that is only a few seasons long for creative reasons, that really peaks my interest to tune in. Many shows today run their course and drag on but executive producer Liz Feldman said early on that Dead to Men would only be three seasons long. This works in the show's benefit as the plot does not get too convoluted over time but instead focuses on crafting an intricate web of lies that constantly make its characters jump over hoops to cover up. This season tied up all of its loose ends and concluded the story and provided a satisfying conclusion to the insane antics of Jen and Judy.


There is definitely a tonal shift this season as it has some of the most emotional scenes in the series. It has been a few days since I finished watching and I am still shocked at some of the major twists. I would love to say that things end happily ever after for our characters but based on the trajectory of the shows and the trail of blood left behind, there has to be a cost for their actions. 

Christina Applegate, Linda Cardellini, and James Mardsen are a fantastic trio that have such amazing chemistry. The final five hours are used to wrap up each loose end over the past two seasons which drastically affects the future of the trio. Each of our main characters' lives are forever changed by the end of the season, giving us some of the most radical character arcs thus far. The character and story have always been the two driving forces that make this show so great and it's consistent right to its final moments. 
Dead to Me season three is available now on Netflix

Review by: Stefano Bove

4/5

#deadtome #netflix #show #drama #thriller #tvshow #review #toronto #netflixcanada 

Popular posts from this blog

Boss Level Film Review

       Boss Level is a new addition to the time loop genre, with a twist. Ex-special forces officer, Roy Pulver, played by Frank Grillo, relives the same day until he dies. Every day he is hunted by assassins and when killed, he wakes up back in his bed where he started, only to have to try and survive all over again. Roy has no idea why he is stuck in this infinite time loop but he must do what he can to survive, and the longer he survives, the more he uncovers about his particular situation.  Unlike most action films that take time to build up, this film gets right into it and offers tons of non-stop combat sequences that would satisfy any lover of action films. Its erratic flow makes for some fun action scenes which come out of nowhere since Roy can expect the assassins to attack at any moment. If you play video games often and have ever been stuck on a level for hours or even days, you know the feeling of having to repeat the same thing over and over again u...

Better Man | Review by: Benjamin Garrett

  What at first feels like a CGI gimmick allows Better Man to climb and swing it’s way beyond standard biopic conventions. This larger than life musical is worth a watch even if, like me, you needed to ask “Who the hell is Robbie Williams?”.  A pop icon in the UK who didn’t quite make a household name for himself in North America, Robbie Williams bares his life (the good the bad and the drug fueled ugly) in this dazzling account of his rise to fame. Musician biopics often focus too heavily on the creation of the artist’s work, and not enough on the actual artist. Better Man gives audiences a sobering portrait of the man behind the monkey, with his songs placed in pivotal life and career moments to move the narrative forward. This works especially well if you aren’t entirely familiar with Williams’ work, because you won’t find yourself waiting to hear specific needle drops. Instead they flow organically into the story, with gorgeously choreographed musical numbers.  And bo...

Beautiful Evening, Beautiful Day | Review by: Stefano Bove

  Four close friends and renowned filmmakers in 1959’s Yugoslavia are out to make a feature film of the war. They have a unique perspective and are able to discuss the war as decorated war veterans. Lovro, Nenad, Stevan and Ivan use film to express themselves and criticize society but that doesn’t sit well with the Yugoslavian Communist Party. As The Party steps in to control the film for propagandistic reasons, the four filmmakers fear it may be to gain insight on their sexual orientation. Emir Hadžihafizbegović is entrusted by the head of the Communist Party to oversee the films production but is also told by the party to sabotage the film by any means necessary. Emir as well as our four filmmakers are all exceptional in this film. The dynamic between these five actors is a wave of emotions as Emir hides his true intentions and the filmmakers hide their sexual orientation from the world. The film is in a gorgeous black and white and boasts absolutely stunning cinematography from ...