Skip to main content

Disenchanted Review


Happily ever after is a fairytale ending that’s been used more times than any of us can count. It’s a cheerfully definitive conclusion to a story, leaving what happens next up to the viewer’s imagination. Disenchanted reopens a story that finished 15 years ago, to show us what comes after happily ever after. 


This sequel doesn’t totally justify its existence, but the colourful presentation and energetic performances make it a delightful enough distraction for those who fell in love with the first film. Whereas Enchanted found Giselle as a fish out of water, lost and bewildered by the real world, Disenchanted takes the opposite approach - well, sort of. Here we have the down-to-earth characters from the original navigating new territory, as Giselle accidentally transforms her town into a magical, real-life version of Andalasia. There was the opportunity to twist what worked so well in the first film and have everyone else feeling lost and bewildered. Instead, they all pretty much play different characters, which leads to a far more familiar and uninspired fairytale this time around.


But the cast infuses this story with magic through live performances and a slew of song and dance numbers. This is more of a traditional musical than the first movie, and like most musicals, some songs are better than others. While I wouldn’t call any one of them bad, most are forgettable, with “Badder” - a wickedly fun duet featuring Amy Adams and Maya Rudolph - being the exception. Also, they actually let Idina Menzel sing in this one, which was a frustrating sin committed by the original. 


Is this sequel necessary? Not at all. However, it doesn’t spoil the original in any way and has enough of its own personality to get by. Seeing Amy Adams slip effortlessly back into these shoes after so many years is wonderful, even if I can’t help but wonder if happily ever after was better left to our imaginations. 


Review by: Benjamin Garrett


3/5


#toronto #disneyplus #disney #princess #movie #film 

Popular posts from this blog

Rating all V/H/S/Halloween Segments

Like sorting through your candy after a night of trick-or-treating, V/H/S/ Halloween is a mixed bag. The eighth instalment in this cult-favourite horror anthology series comes up short of previous entries, but there are still a couple of treats in here that should satisfy your twisted cravings. A chilling still from V/H/S/ Halloween . Diet Phantasma This wraparound segment follows an R&D team testing a new low-calorie soda made with “real ghosts.” It’s silly fun, but gets a bit repetitive with each new test subject. The commercial playing during the end credits was a nice touch. Rating: ★★½☆ Coochie Coochie Coo This short feels like walking through a haunted house — but not in a good way. The plot is like something torn from a creepypasta thread. Everything is constantly being spelled out in a painfully obvious way. The practical effects and makeup are decent, and this is probably the only segment that comes close to being scary...

The Mandalorian Season 3 Review

  Listen, I love Star Wars. I will always love Star Wars.  The  original and prequel trilogies were a big part of my childhood, and helped shape my love of cinema. While  The   Mandalorian  isn’t among my favourites in  the  franchise, I thought it had a promising first season and a significantly stronger season two. Season three had so much potential, but a frustrating lack of focus held it back from greatness.  This show’s always had a bit of an identity crisis, but it’s never been as clear as it is here. Does it want to be a procedural-style adventure of  the  week, or tell an epic, multi-season spanning arc? Season one leaned toward  the  former, while Season two found a satisfying balance of both. Season three tries to find that balance, but  the  overarching story it wants to tell is bigger than  the  few episodes allotted to do so. There are only 8 chapters, some barely over 30 min. That’s a fair...

The Rip Review

  The Rip is all the evidence you need that a great cast can elevate an otherwise run-of-the-mill movie. Without its impressive A-list roster, this would’ve likely been lost among a crowd of forgettable January dumping ground releases. Throw Matt Damon, Ben Affleck and a handful of other extremely talented actors into the mix, though, and now you’ve got something worth watching.  While there are exceptions that prove the rule, a lot of these police/cartel thrillers are interchangeable when it comes to their cookie-cutter story beats. The Rip breaks exactly zero molds, but it also doesn’t feel as uninspired as it could’ve. There are enough surprises to keep things engaging, and the tension - which the movie often hinges on - is appropriately high strung. The action is punchy and loud, which is no surprise coming from Director Joe Carnahan. While I do have minor issues with some of the sequences feeling a bit choppy in how they were shot and edited, the action is solid and packs...