Skip to main content

The Stranger (2022) Review


Based on the true story surrounding one of Australia’s largest undercover sting investigations; The Stranger is a gripping, slow-burn crime drama, rife with constant tension. 


The movie tackles some dark subject matter, and the bleak presentation captures the tone exceptionally. The striking, slightly desaturated cinematography, the creative editing, and the eerie score go a long way in pulling you into this unsettling investigation. It all works in harmony to convey a sense of isolation and hopelessness, adding more weight to an already grim story. 


Joel Edgerton and Sean Harris are two underrated talents, and both are given a chance to showcase their abilities here. They give understated, quiet performances, but you can really feel the gravity of their situation, slowly wearing them down mentally over time. The true crime elements are intriguing, but the psychological aspects are downright fascinating. 


The way the story plays out is handled in a way that adds further intrigue, shrouding the film in atmospheric uncertainty. We don’t know much about Harris’ character in the beginning - he’s a stranger to the audience. As the narrative unfolds, we are given hints of his past, and bit by bit we start to construct this puzzle of a human being. Edgerton’s character is initially less complicated, but once we get a glimpse at the psychological damage this case is inflicting upon him, he becomes equally compelling. 


The Stranger is a must-see crime drama with outstanding character work to match its unnerving true story. Joel Edgerton and Sean Harris play opposite one another perfectly, with a dynamic that adds tension to an already tense film. Don’t miss this one. 


Review by: Benjamin Garrett


8.5/10


#toronto #netflix #movie #truestory #newrelease 

Popular posts from this blog

Rating all V/H/S/Halloween Segments

Like sorting through your candy after a night of trick-or-treating, V/H/S/ Halloween is a mixed bag. The eighth instalment in this cult-favourite horror anthology series comes up short of previous entries, but there are still a couple of treats in here that should satisfy your twisted cravings. A chilling still from V/H/S/ Halloween . Diet Phantasma This wraparound segment follows an R&D team testing a new low-calorie soda made with “real ghosts.” It’s silly fun, but gets a bit repetitive with each new test subject. The commercial playing during the end credits was a nice touch. Rating: ★★½☆ Coochie Coochie Coo This short feels like walking through a haunted house — but not in a good way. The plot is like something torn from a creepypasta thread. Everything is constantly being spelled out in a painfully obvious way. The practical effects and makeup are decent, and this is probably the only segment that comes close to being scary...

The Mandalorian Season 3 Review

  Listen, I love Star Wars. I will always love Star Wars.  The  original and prequel trilogies were a big part of my childhood, and helped shape my love of cinema. While  The   Mandalorian  isn’t among my favourites in  the  franchise, I thought it had a promising first season and a significantly stronger season two. Season three had so much potential, but a frustrating lack of focus held it back from greatness.  This show’s always had a bit of an identity crisis, but it’s never been as clear as it is here. Does it want to be a procedural-style adventure of  the  week, or tell an epic, multi-season spanning arc? Season one leaned toward  the  former, while Season two found a satisfying balance of both. Season three tries to find that balance, but  the  overarching story it wants to tell is bigger than  the  few episodes allotted to do so. There are only 8 chapters, some barely over 30 min. That’s a fair...

The Rip Review

  The Rip is all the evidence you need that a great cast can elevate an otherwise run-of-the-mill movie. Without its impressive A-list roster, this would’ve likely been lost among a crowd of forgettable January dumping ground releases. Throw Matt Damon, Ben Affleck and a handful of other extremely talented actors into the mix, though, and now you’ve got something worth watching.  While there are exceptions that prove the rule, a lot of these police/cartel thrillers are interchangeable when it comes to their cookie-cutter story beats. The Rip breaks exactly zero molds, but it also doesn’t feel as uninspired as it could’ve. There are enough surprises to keep things engaging, and the tension - which the movie often hinges on - is appropriately high strung. The action is punchy and loud, which is no surprise coming from Director Joe Carnahan. While I do have minor issues with some of the sequences feeling a bit choppy in how they were shot and edited, the action is solid and packs...