Skip to main content

One True Loves Review

 “One True Loves” is a colossal disappointment. You would think that a movie that is not only based on a book by acclaimed author Taylor Jenkins Reid, but also has a screenplay written by her and her husband would be a surefire hit, but sadly what we have here is the opposite. Terribly made in every conceivable way, “One True Loves” is mediocre, melodramatic and ridiculously banal. 


Lacking originality, substance or any semblance of entertainment, I can’t believe that such a talented writer like Jenkins Reid is behind this yawn-inducing movie. In every sense of the term, “One True Loves” is low quality. The plot sounds like something out of a LifeTime movie and the quality of the production is akin to a direct-to-DVD movie. Bizarre shifts in tone and nonsensical flashbacks only make the movie more confusing. There are a shocking amount of fade to black transitions that you’d only see in movies made for TV so they can accommodate commercial breaks! 


Somewhere deep down there may be the bones of a good movie trying to break free but sadly “One True Loves” fails to deliver on all accounts. Unless you’re a fan of forced product placement and protagonists who choose their personality depending on who they’re dating, you’re better off giving “One True Loves” a miss. 


Review by: Luke Elisio 

Popular posts from this blog

The Mandalorian Season 3 Review

  Listen, I love Star Wars. I will always love Star Wars.  The  original and prequel trilogies were a big part of my childhood, and helped shape my love of cinema. While  The   Mandalorian  isn’t among my favourites in  the  franchise, I thought it had a promising first season and a significantly stronger season two. Season three had so much potential, but a frustrating lack of focus held it back from greatness.  This show’s always had a bit of an identity crisis, but it’s never been as clear as it is here. Does it want to be a procedural-style adventure of  the  week, or tell an epic, multi-season spanning arc? Season one leaned toward  the  former, while Season two found a satisfying balance of both. Season three tries to find that balance, but  the  overarching story it wants to tell is bigger than  the  few episodes allotted to do so. There are only 8 chapters, some barely over 30 min. That’s a fair...

Boss Level Film Review

       Boss Level is a new addition to the time loop genre, with a twist. Ex-special forces officer, Roy Pulver, played by Frank Grillo, relives the same day until he dies. Every day he is hunted by assassins and when killed, he wakes up back in his bed where he started, only to have to try and survive all over again. Roy has no idea why he is stuck in this infinite time loop but he must do what he can to survive, and the longer he survives, the more he uncovers about his particular situation.  Unlike most action films that take time to build up, this film gets right into it and offers tons of non-stop combat sequences that would satisfy any lover of action films. Its erratic flow makes for some fun action scenes which come out of nowhere since Roy can expect the assassins to attack at any moment. If you play video games often and have ever been stuck on a level for hours or even days, you know the feeling of having to repeat the same thing over and over again u...

Better Man | Review by: Benjamin Garrett

  What at first feels like a CGI gimmick allows Better Man to climb and swing it’s way beyond standard biopic conventions. This larger than life musical is worth a watch even if, like me, you needed to ask “Who the hell is Robbie Williams?”.  A pop icon in the UK who didn’t quite make a household name for himself in North America, Robbie Williams bares his life (the good the bad and the drug fueled ugly) in this dazzling account of his rise to fame. Musician biopics often focus too heavily on the creation of the artist’s work, and not enough on the actual artist. Better Man gives audiences a sobering portrait of the man behind the monkey, with his songs placed in pivotal life and career moments to move the narrative forward. This works especially well if you aren’t entirely familiar with Williams’ work, because you won’t find yourself waiting to hear specific needle drops. Instead they flow organically into the story, with gorgeously choreographed musical numbers.  And bo...