Skip to main content

Reality (2023) Review by: Benjamin Garrett

 


At what point is whistleblowing justified? Is it ever? What if it’s for the good of your country? Reality tells the true story of an NSA translator being investigated by the FBI for leaking classified documents. Its hyper-accurate retelling of real events makes for occasionally dry viewing, but it doesn’t make what happened any less unnerving. 


The entire movie takes place over the course of a few hours, recounting the FBI’s questioning of Reality Winner (Sydney Sweeney) and the search of her home. Every bit of dialogue is pulled directly from audio recordings, which makes this one of the most accurate true stories you’ll ever see. Because of this approach, it often feels closer to a reenactment than a film, but that accuracy lends a sobering authenticity to it all. There are no embellishments or creative liberties here. Just the facts, the exact way they unfolded. 


The film serves as an acting showcase for Sweeney, as we see her cycle through a range of emotions while she’s grilled by FBI investigators. Her calm demeanour in the opening moments of the investigation, and the eventual transiting to panic as the gravity of the situation sinks in, is absolutely phenomenal, and some of Sweeney’s best work. 


Being based on partially classified documents, there’s some content the movie isn’t able to speak about or show us. Editing is used to cut around redacted dialogue, while trying to keep this story as accurate as possible. This approach is something I found gimmicky and distracting. Characters glitching out of frame any time something redacted is spoken is effective enough, but it pulls you out of an otherwise grounded experience. 


This fact based retelling lays its true events out on the table with no Hollywood fluff. It’s a dry but nevertheless fascinating look at political secrecy and just how much reach the government has. Sydney Sweeney delivers arguably the finest performance of her career, elevating what could have been far more cut and dry than what we got. 


3.5/5


Review by: Benjamin Garrett




#movie #review #toronto #film #hbo #sydneysweeney #drama

Popular posts from this blog

The Mandalorian Season 3 Review

  Listen, I love Star Wars. I will always love Star Wars.  The  original and prequel trilogies were a big part of my childhood, and helped shape my love of cinema. While  The   Mandalorian  isn’t among my favourites in  the  franchise, I thought it had a promising first season and a significantly stronger season two. Season three had so much potential, but a frustrating lack of focus held it back from greatness.  This show’s always had a bit of an identity crisis, but it’s never been as clear as it is here. Does it want to be a procedural-style adventure of  the  week, or tell an epic, multi-season spanning arc? Season one leaned toward  the  former, while Season two found a satisfying balance of both. Season three tries to find that balance, but  the  overarching story it wants to tell is bigger than  the  few episodes allotted to do so. There are only 8 chapters, some barely over 30 min. That’s a fair...

Boss Level Film Review

       Boss Level is a new addition to the time loop genre, with a twist. Ex-special forces officer, Roy Pulver, played by Frank Grillo, relives the same day until he dies. Every day he is hunted by assassins and when killed, he wakes up back in his bed where he started, only to have to try and survive all over again. Roy has no idea why he is stuck in this infinite time loop but he must do what he can to survive, and the longer he survives, the more he uncovers about his particular situation.  Unlike most action films that take time to build up, this film gets right into it and offers tons of non-stop combat sequences that would satisfy any lover of action films. Its erratic flow makes for some fun action scenes which come out of nowhere since Roy can expect the assassins to attack at any moment. If you play video games often and have ever been stuck on a level for hours or even days, you know the feeling of having to repeat the same thing over and over again u...

Better Man | Review by: Benjamin Garrett

  What at first feels like a CGI gimmick allows Better Man to climb and swing it’s way beyond standard biopic conventions. This larger than life musical is worth a watch even if, like me, you needed to ask “Who the hell is Robbie Williams?”.  A pop icon in the UK who didn’t quite make a household name for himself in North America, Robbie Williams bares his life (the good the bad and the drug fueled ugly) in this dazzling account of his rise to fame. Musician biopics often focus too heavily on the creation of the artist’s work, and not enough on the actual artist. Better Man gives audiences a sobering portrait of the man behind the monkey, with his songs placed in pivotal life and career moments to move the narrative forward. This works especially well if you aren’t entirely familiar with Williams’ work, because you won’t find yourself waiting to hear specific needle drops. Instead they flow organically into the story, with gorgeously choreographed musical numbers.  And bo...