Skip to main content

The Beanie Bubble | Review by: Benjamin Garrett


 If you were born between the mid ‘80s and late ‘90s, the likelihood you owned a Beanie Baby is sky high. They were EVERYWHERE. Like the adorable plush phenomenon's it’s based on, The Beanie Bubble is a bit under-filled, but will certainly give your inner child a rush of nostalgia. 

A good biopic gives you information that you didn’t already know, and presents it in engaging and entertaining ways. This movie does that, but keeps everything fairly superficial, never digging far beyond the surface level details. It also admits, in its opening minutes, that some of this story is flat out made up. Now, this is nothing new for films based on true stories, but to have it in text right at the beginning spoils some of the illusion that what you’re about to watch actually happened. 


The movie is also trying to do its best Scorsese impression, with a narrative that jumps between multiple narrators and time periods. The only problem, this “true” story isn’t always fascinating or intricate enough to justify that storytelling method. The constant flip-flopping makes the movie a little more engaging, as it wouldn’t be nearly as exciting if told chronologically, but it also feels too sporadic. 


The cast honestly makes this movie as enjoyable as it is, lead by Zach Galifianakis in one of his best performances. He’s eccentric, self-centred, greedy and just a little unhinged - it’s a really fun performance that’ll have you loving and simultaneously hating his character. Elizabeth Banks, Sarah Snook and Geraldine Viswanathan play the three women whose perspectives the story is told from, as each of these ladies played an integral role in TY’s worldwide success. All three are great, but Viswanathan is a total scene stealer as a young and ambitious assistant who can be credited for most of the company’s success. 


Like a Beanie Baby without its original tag, The Beanie Bubble doesn’t hold much value, but it’s an enjoyable look at the world’s brief obsession with the plush toys. So, give this a watch, and then go check your storage bins to see if you’re sitting on a beanie goldmine. You never know… 


3/5



Review by: Benjamin Garrett








#review #toronto #beanie #zachgalifianakis #beaniebubble #elizabethbanks 




Popular posts from this blog

Rating all V/H/S/Halloween Segments

Like sorting through your candy after a night of trick-or-treating, V/H/S/ Halloween is a mixed bag. The eighth instalment in this cult-favourite horror anthology series comes up short of previous entries, but there are still a couple of treats in here that should satisfy your twisted cravings. A chilling still from V/H/S/ Halloween . Diet Phantasma This wraparound segment follows an R&D team testing a new low-calorie soda made with “real ghosts.” It’s silly fun, but gets a bit repetitive with each new test subject. The commercial playing during the end credits was a nice touch. Rating: ★★½☆ Coochie Coochie Coo This short feels like walking through a haunted house — but not in a good way. The plot is like something torn from a creepypasta thread. Everything is constantly being spelled out in a painfully obvious way. The practical effects and makeup are decent, and this is probably the only segment that comes close to being scary...

The Mandalorian Season 3 Review

  Listen, I love Star Wars. I will always love Star Wars.  The  original and prequel trilogies were a big part of my childhood, and helped shape my love of cinema. While  The   Mandalorian  isn’t among my favourites in  the  franchise, I thought it had a promising first season and a significantly stronger season two. Season three had so much potential, but a frustrating lack of focus held it back from greatness.  This show’s always had a bit of an identity crisis, but it’s never been as clear as it is here. Does it want to be a procedural-style adventure of  the  week, or tell an epic, multi-season spanning arc? Season one leaned toward  the  former, while Season two found a satisfying balance of both. Season three tries to find that balance, but  the  overarching story it wants to tell is bigger than  the  few episodes allotted to do so. There are only 8 chapters, some barely over 30 min. That’s a fair...

The Rip Review

  The Rip is all the evidence you need that a great cast can elevate an otherwise run-of-the-mill movie. Without its impressive A-list roster, this would’ve likely been lost among a crowd of forgettable January dumping ground releases. Throw Matt Damon, Ben Affleck and a handful of other extremely talented actors into the mix, though, and now you’ve got something worth watching.  While there are exceptions that prove the rule, a lot of these police/cartel thrillers are interchangeable when it comes to their cookie-cutter story beats. The Rip breaks exactly zero molds, but it also doesn’t feel as uninspired as it could’ve. There are enough surprises to keep things engaging, and the tension - which the movie often hinges on - is appropriately high strung. The action is punchy and loud, which is no surprise coming from Director Joe Carnahan. While I do have minor issues with some of the sequences feeling a bit choppy in how they were shot and edited, the action is solid and packs...