Skip to main content

Hit Man | TIFF 2023 | Review by: Amanda Guarragi

 The way stars are made in Hollywood now has changed drastically. Some actors come up from television series or independent film brings fame. Some actors have been around for a while but have never gotten the recognition they deserve. In Richard Linklater’s Hit Man, Glen Powell takes on many roles and shows his range as an actor. Powell has been a supporting actor in films and television series and has always stood out. He has this movie star charm, and he effortlessly draws you in. The film follows Gary Johnson (Powell), a staff investigator who plays the role of a hitman to catch individuals ordering a hit. The premise is simple, but Linklater has fun with this character to make this one of the best comedies of the year. 

Linklater wastes no time in getting to know Gary Johnson. As the film starts, the audience is taken by Powell instantly because he narrates what Johnson does for a living. He is a professor during the week, and to make some extra money, he works with the police. This already shows that there are two sides to Johnson, which foreshadows the journey he goes on. Johnson puts on the theatrics when he takes on the role of the “hitman" to his clients. There’s this internal battle that Johnson has with himself. He is unhappy with who he is, and when he moulds himself to fit the criteria of what his clients need in a hitman, he feels empowered. 

This allows Linklater and Powell to have fun with his character. Johnson does his research on his clients and appears exactly as who they would think he would be. In doing so, Johnson gains confidence. He starts to change by pulling traits from each hitman. One day, he gets a call from Maddy (Adria Arjona), who wants to hire someone to take out her abusive husband. This is where things get interesting, a bit spicy, and then it spirals out of control. Co-writers Linklater, Powell, and Skip Hollandsworth craft an intricate story about identity and how decisions can change the trajectory of your life. Arjona and Powell have incredible chemistry and bring sexiness back to the genre. There is one scene in the third act that is written so well and showcases how talented they are. 

Hit Man is one of the most delightful action comedies we have gotten in the past decade. It’s all thanks to Linklater’s fun premise and Powell’s charisma. As the action unfolds with these characters, it’s important to note that Linklater also dives into how humans can change. No one is set in their ways, and a change to routine can always do some good. Johnson has been trying to break out of the funk that he was in. He ends up finding happiness by channelling different facets of himself. No one is set in their ways. People can evolve and grow into new versions of themselves every year. Even if you see this as just an action film, it’s so much more than that, and you will walk away learning that it’s never too late to try something different. 

4.5/5 

Review by: Amanda Guarragi 


#movies #films #filmreviews #moviereviews #1STReviews #RichardLinklater #GlenPowell #AdriaArjona #TIFF23 

Popular posts from this blog

Rating all V/H/S/Halloween Segments

Like sorting through your candy after a night of trick-or-treating, V/H/S/ Halloween is a mixed bag. The eighth instalment in this cult-favourite horror anthology series comes up short of previous entries, but there are still a couple of treats in here that should satisfy your twisted cravings. A chilling still from V/H/S/ Halloween . Diet Phantasma This wraparound segment follows an R&D team testing a new low-calorie soda made with “real ghosts.” It’s silly fun, but gets a bit repetitive with each new test subject. The commercial playing during the end credits was a nice touch. Rating: ★★½☆ Coochie Coochie Coo This short feels like walking through a haunted house — but not in a good way. The plot is like something torn from a creepypasta thread. Everything is constantly being spelled out in a painfully obvious way. The practical effects and makeup are decent, and this is probably the only segment that comes close to being scary...

The Mandalorian Season 3 Review

  Listen, I love Star Wars. I will always love Star Wars.  The  original and prequel trilogies were a big part of my childhood, and helped shape my love of cinema. While  The   Mandalorian  isn’t among my favourites in  the  franchise, I thought it had a promising first season and a significantly stronger season two. Season three had so much potential, but a frustrating lack of focus held it back from greatness.  This show’s always had a bit of an identity crisis, but it’s never been as clear as it is here. Does it want to be a procedural-style adventure of  the  week, or tell an epic, multi-season spanning arc? Season one leaned toward  the  former, while Season two found a satisfying balance of both. Season three tries to find that balance, but  the  overarching story it wants to tell is bigger than  the  few episodes allotted to do so. There are only 8 chapters, some barely over 30 min. That’s a fair...

The Rip Review

  The Rip is all the evidence you need that a great cast can elevate an otherwise run-of-the-mill movie. Without its impressive A-list roster, this would’ve likely been lost among a crowd of forgettable January dumping ground releases. Throw Matt Damon, Ben Affleck and a handful of other extremely talented actors into the mix, though, and now you’ve got something worth watching.  While there are exceptions that prove the rule, a lot of these police/cartel thrillers are interchangeable when it comes to their cookie-cutter story beats. The Rip breaks exactly zero molds, but it also doesn’t feel as uninspired as it could’ve. There are enough surprises to keep things engaging, and the tension - which the movie often hinges on - is appropriately high strung. The action is punchy and loud, which is no surprise coming from Director Joe Carnahan. While I do have minor issues with some of the sequences feeling a bit choppy in how they were shot and edited, the action is solid and packs...