Skip to main content

Anatomy of a Fall | Review by: Benjamin Garrett

 


Anatomy of a Fall is a perfectly paced, superbly acted courtroom drama, elevated far beyond genre standards by its brilliant dissection of a marriage. You’ll be dragged along through a gruelling trial to uncover the truth, but this is about so much more than a guilty or innocent verdict. 


The film wisely avoids taking a concrete stance on the trial, nor does it present you with enough evidence to form a definitive verdict of your own. No, much like an actual investigation, it offers up a puzzling collection of various theories and facts supporting both sides. Although the story is framed around Sandra Hüller’s character, and the fight to prove her innocence, she’s never painted as a villain or protagonist. 


Justine Triet is firing on all cylinders from a writing and directorial standpoint. Not only is her script filled with sharp, immersive dialogue, but she makes a number of subtle yet inventive visual choices as well. A lot of the framing and camera work is exceptional. There’s a scene where Sandra speaks about a difficult, personal topic that involves her son, and instead of cutting to his reaction, the scene is framed from behind his head in the courtroom audience. We don’t need to see his expression to feel his discomfort, and it’s more affecting because of it. 


Being centred around a lengthy trial, this is a dialogue heavy two and a half hours. Thankfully, the performances measure up to the excellent script. Sandra Hüller is a revelation, deserving of a best actress nomination for her emotional yet stoic turn. Antoine Reinartz is also excellent as the ruthless prosector, savagely tearing through this woman’s life, hellbent on a murder conviction. It’s the young Milo Machado Graner who truly floored me, though. It’s heartbreaking watching a child thrown into the middle of an ugly legal battle, but Graner captures that feeling flawlessly. 


Anatomy of a Fall sinks its hooks into you with a shocking death, but truly captivates with its merciless deconstruction of a marriage. Sharply written, beautifully shot and exceptionally acted, this is a strong contender for the best film of the year. 


4.5/5 


Review by: Benjamin Garrett



#movie #review #toronto 

Popular posts from this blog

The Mandalorian Season 3 Review

  Listen, I love Star Wars. I will always love Star Wars.  The  original and prequel trilogies were a big part of my childhood, and helped shape my love of cinema. While  The   Mandalorian  isn’t among my favourites in  the  franchise, I thought it had a promising first season and a significantly stronger season two. Season three had so much potential, but a frustrating lack of focus held it back from greatness.  This show’s always had a bit of an identity crisis, but it’s never been as clear as it is here. Does it want to be a procedural-style adventure of  the  week, or tell an epic, multi-season spanning arc? Season one leaned toward  the  former, while Season two found a satisfying balance of both. Season three tries to find that balance, but  the  overarching story it wants to tell is bigger than  the  few episodes allotted to do so. There are only 8 chapters, some barely over 30 min. That’s a fair...

Boss Level Film Review

       Boss Level is a new addition to the time loop genre, with a twist. Ex-special forces officer, Roy Pulver, played by Frank Grillo, relives the same day until he dies. Every day he is hunted by assassins and when killed, he wakes up back in his bed where he started, only to have to try and survive all over again. Roy has no idea why he is stuck in this infinite time loop but he must do what he can to survive, and the longer he survives, the more he uncovers about his particular situation.  Unlike most action films that take time to build up, this film gets right into it and offers tons of non-stop combat sequences that would satisfy any lover of action films. Its erratic flow makes for some fun action scenes which come out of nowhere since Roy can expect the assassins to attack at any moment. If you play video games often and have ever been stuck on a level for hours or even days, you know the feeling of having to repeat the same thing over and over again u...

Better Man | Review by: Benjamin Garrett

  What at first feels like a CGI gimmick allows Better Man to climb and swing it’s way beyond standard biopic conventions. This larger than life musical is worth a watch even if, like me, you needed to ask “Who the hell is Robbie Williams?”.  A pop icon in the UK who didn’t quite make a household name for himself in North America, Robbie Williams bares his life (the good the bad and the drug fueled ugly) in this dazzling account of his rise to fame. Musician biopics often focus too heavily on the creation of the artist’s work, and not enough on the actual artist. Better Man gives audiences a sobering portrait of the man behind the monkey, with his songs placed in pivotal life and career moments to move the narrative forward. This works especially well if you aren’t entirely familiar with Williams’ work, because you won’t find yourself waiting to hear specific needle drops. Instead they flow organically into the story, with gorgeously choreographed musical numbers.  And bo...