Skip to main content

All of Us Strangers | Review by: Gal Balaban

 


In Andrew Haigh's latest drama, Andrew Scott plays a screenwriter comfortable with his loneliness who finds his parents appearing to live just as they were 30 years ago right before their deaths, recounting childhood memories and past emotions in the process.


Scott gives a deeply profound and vulnerable performance as a man coming to terms with his parents' place in his life, in a way true to the human experience through the eyes of a man coming out. He makes you believe everything he's going through and digs deep into the character's past to show you his journey into the present. Claire Foy is also a highlight of the film as a flawed yet loving mother whose shortcomings coexist with her immense warmth. Scott also has great chemistry with Paul Mescal, and their scenes together feel very intimate and delicate, establishing the graceful tone Haigh was going for.

The concept for the film is excellent and delivered well, though some of the conversations slow down, which is forgivable compared to a jarring plot twist that goes entirely against the themes that the film was so gracefully building towards. Despite this counterintuitive ending, the film does have something to say about the queer experience, parental relationships, and moving forward from loneliness.

Rating: 3.5/5

Review by: Gal Balaban 


Popular posts from this blog

Rating all V/H/S/Halloween Segments

Like sorting through your candy after a night of trick-or-treating, V/H/S/ Halloween is a mixed bag. The eighth instalment in this cult-favourite horror anthology series comes up short of previous entries, but there are still a couple of treats in here that should satisfy your twisted cravings. A chilling still from V/H/S/ Halloween . Diet Phantasma This wraparound segment follows an R&D team testing a new low-calorie soda made with “real ghosts.” It’s silly fun, but gets a bit repetitive with each new test subject. The commercial playing during the end credits was a nice touch. Rating: ★★½☆ Coochie Coochie Coo This short feels like walking through a haunted house — but not in a good way. The plot is like something torn from a creepypasta thread. Everything is constantly being spelled out in a painfully obvious way. The practical effects and makeup are decent, and this is probably the only segment that comes close to being scary...

The Mandalorian Season 3 Review

  Listen, I love Star Wars. I will always love Star Wars.  The  original and prequel trilogies were a big part of my childhood, and helped shape my love of cinema. While  The   Mandalorian  isn’t among my favourites in  the  franchise, I thought it had a promising first season and a significantly stronger season two. Season three had so much potential, but a frustrating lack of focus held it back from greatness.  This show’s always had a bit of an identity crisis, but it’s never been as clear as it is here. Does it want to be a procedural-style adventure of  the  week, or tell an epic, multi-season spanning arc? Season one leaned toward  the  former, while Season two found a satisfying balance of both. Season three tries to find that balance, but  the  overarching story it wants to tell is bigger than  the  few episodes allotted to do so. There are only 8 chapters, some barely over 30 min. That’s a fair...

The Rip Review

  The Rip is all the evidence you need that a great cast can elevate an otherwise run-of-the-mill movie. Without its impressive A-list roster, this would’ve likely been lost among a crowd of forgettable January dumping ground releases. Throw Matt Damon, Ben Affleck and a handful of other extremely talented actors into the mix, though, and now you’ve got something worth watching.  While there are exceptions that prove the rule, a lot of these police/cartel thrillers are interchangeable when it comes to their cookie-cutter story beats. The Rip breaks exactly zero molds, but it also doesn’t feel as uninspired as it could’ve. There are enough surprises to keep things engaging, and the tension - which the movie often hinges on - is appropriately high strung. The action is punchy and loud, which is no surprise coming from Director Joe Carnahan. While I do have minor issues with some of the sequences feeling a bit choppy in how they were shot and edited, the action is solid and packs...