Skip to main content

The Promised Land | Review by: Benjamin Garrett

 


The Promised Land is a sprawling nordic western, fuelled by an escalating dispute over barren farmland. Gorgeously shot, impeccably acted and brilliantly tense, this stunning period piece is worthy of your time.


The film follows Ludvig Kahlen - a war captain (Mads Mikkelsen) who sets out to cultivate an untameable wasteland where it’s seemingly impossible to grow crops. His goal is to start a colony in the name of the King, which will grant him the noble title he seeks. I realize on paper, that doesn’t sound all that thrilling, but know there’s more to this film than a man attempting to yield crops. It’s a story of perseverance, survival and pride, with a touch of melodrama, plus a few shocking bursts of violence. 


Mads Mikkelsen is unsurprisingly excellent once again. His character is relatively subdued and quiet, but Mads is always able to convey so much while saying so little. He makes sure you feel every moment of devastation, rage and pride through his stoic performance. Simon Bennebjerg stars as the villainous Frederick De Schinkel, and oh boy, does he ever eat this role up. You’ll love to hate this character, and Bennebjerg is clearly having a blast playing such an evil human being. 


Much of the movie takes place across barren, uncultivated fields known as moorlands. Naturally, there’s a lot of empty space, but cinematographer Rasmus Vidabæk captures its beauty magnificently. The film also creates a stark visual contrast between the harsh terrains Kahlen is trying to tame, and the lavish highborn castle De Schinkel sits comfortably in. Dan Romer’s diverse score (which is just as beautiful as the striking visuals) deftly blurs the line between the western genre and 17th century period piece. 


The Promised Land captures perseverance through desperation, with an epic war story told on an intimate scale. Mads Mikkelsen gives another knockout performance, in a film that’s both visually and narratively engrossing. Don’t miss this one, when it opens in select theatres Friday, February 9th. 


4/5


Review by: Benjamin Garrett




Popular posts from this blog

Rating all V/H/S/Halloween Segments

Like sorting through your candy after a night of trick-or-treating, V/H/S/ Halloween is a mixed bag. The eighth instalment in this cult-favourite horror anthology series comes up short of previous entries, but there are still a couple of treats in here that should satisfy your twisted cravings. A chilling still from V/H/S/ Halloween . Diet Phantasma This wraparound segment follows an R&D team testing a new low-calorie soda made with “real ghosts.” It’s silly fun, but gets a bit repetitive with each new test subject. The commercial playing during the end credits was a nice touch. Rating: ★★½☆ Coochie Coochie Coo This short feels like walking through a haunted house — but not in a good way. The plot is like something torn from a creepypasta thread. Everything is constantly being spelled out in a painfully obvious way. The practical effects and makeup are decent, and this is probably the only segment that comes close to being scary...

The Mandalorian Season 3 Review

  Listen, I love Star Wars. I will always love Star Wars.  The  original and prequel trilogies were a big part of my childhood, and helped shape my love of cinema. While  The   Mandalorian  isn’t among my favourites in  the  franchise, I thought it had a promising first season and a significantly stronger season two. Season three had so much potential, but a frustrating lack of focus held it back from greatness.  This show’s always had a bit of an identity crisis, but it’s never been as clear as it is here. Does it want to be a procedural-style adventure of  the  week, or tell an epic, multi-season spanning arc? Season one leaned toward  the  former, while Season two found a satisfying balance of both. Season three tries to find that balance, but  the  overarching story it wants to tell is bigger than  the  few episodes allotted to do so. There are only 8 chapters, some barely over 30 min. That’s a fair...

The Rip Review

  The Rip is all the evidence you need that a great cast can elevate an otherwise run-of-the-mill movie. Without its impressive A-list roster, this would’ve likely been lost among a crowd of forgettable January dumping ground releases. Throw Matt Damon, Ben Affleck and a handful of other extremely talented actors into the mix, though, and now you’ve got something worth watching.  While there are exceptions that prove the rule, a lot of these police/cartel thrillers are interchangeable when it comes to their cookie-cutter story beats. The Rip breaks exactly zero molds, but it also doesn’t feel as uninspired as it could’ve. There are enough surprises to keep things engaging, and the tension - which the movie often hinges on - is appropriately high strung. The action is punchy and loud, which is no surprise coming from Director Joe Carnahan. While I do have minor issues with some of the sequences feeling a bit choppy in how they were shot and edited, the action is solid and packs...