Skip to main content

Kingdom of The Planet of The Apes | Review by: Benjamin Garrett

 Apes. Together. Strong. Kingdom of the Planet of the Apes is another strong addition to the iconic franchise, and a worthy follow-up to Caesar’s trilogy. While it doesn’t quite reach the level of Dawn or War, this new chapter offers a thrilling, emotionally driven story with great performances and groundbreaking visuals. 


Kingdom smartly differentiates itself by moving the timeline forward a few centuries. This allows Caesar’s story to be left untouched, while having his actions and beliefs still echo through the new world. It’s both a continuation and somewhat of a soft reset, which keeps it from feeling like it’s treading ground covered in the previous three films. It takes some time to establish new characters and lore, struggling just a bit with pacing in the first act. That was perfectly fine with me, though, because it does a wonderful job setting up the potential future of the franchise. 


I really liked the new characters, and while they aren’t quite as compelling as those in Ceasar’s trilogy (at least not yet), I was able to get invested pretty easily. Owen Teague had some big paw prints to fill, following Andy Serkis’ tremendous performance, but he nailed it. Whereas Ceasar was a natural leader, Noa is still finding his place within his tribe and the world. His failures and triumphs make him a relatable main character that never feels like a carbon copy of Ceasar. Kevin Durand’s Proximus Ceasar is a fascinating villain, mirroring mankind’s obsession with finding advancements in evolution. Freya Allen’s Mae is an interesting representation of humans’ best and worst qualities, but I do wish she’d been developed a tad more. The best new character is without a doubt Raka. His rich knowledge of apes’ history, compassionate disposition and humorous observations are brought to life through Macon’s excellent performance. 


I don’t know what kind of wizardry is happening behind the doors at Weta FX, because they’ve truly outdone themselves here. What they’ve achieved with this film is arguably the best visual effects work of all time. The attention to detail is astounding. Every hair perfectly rendered, every emotion conveyed with stunning facial animation, realistic movement captured flawlessly through motion capture, the seamless merging of practical elements with computer generated ones - This is the benchmark for how incredible blockbusters can (and often should) look. 


What a wonderful day to be a Planet of the Apes fan! Kingdom carries the franchise forward in exciting new ways, building a solid foundation for future instalments. With groundbreaking special effects, strong performances and a thrilling new adventure, this represents everything a modern blockbuster should be. 


4/5



Review by: Benjamin Garrett




Popular posts from this blog

Rating all V/H/S/Halloween Segments

Like sorting through your candy after a night of trick-or-treating, V/H/S/ Halloween is a mixed bag. The eighth instalment in this cult-favourite horror anthology series comes up short of previous entries, but there are still a couple of treats in here that should satisfy your twisted cravings. A chilling still from V/H/S/ Halloween . Diet Phantasma This wraparound segment follows an R&D team testing a new low-calorie soda made with “real ghosts.” It’s silly fun, but gets a bit repetitive with each new test subject. The commercial playing during the end credits was a nice touch. Rating: ★★½☆ Coochie Coochie Coo This short feels like walking through a haunted house — but not in a good way. The plot is like something torn from a creepypasta thread. Everything is constantly being spelled out in a painfully obvious way. The practical effects and makeup are decent, and this is probably the only segment that comes close to being scary...

The Mandalorian Season 3 Review

  Listen, I love Star Wars. I will always love Star Wars.  The  original and prequel trilogies were a big part of my childhood, and helped shape my love of cinema. While  The   Mandalorian  isn’t among my favourites in  the  franchise, I thought it had a promising first season and a significantly stronger season two. Season three had so much potential, but a frustrating lack of focus held it back from greatness.  This show’s always had a bit of an identity crisis, but it’s never been as clear as it is here. Does it want to be a procedural-style adventure of  the  week, or tell an epic, multi-season spanning arc? Season one leaned toward  the  former, while Season two found a satisfying balance of both. Season three tries to find that balance, but  the  overarching story it wants to tell is bigger than  the  few episodes allotted to do so. There are only 8 chapters, some barely over 30 min. That’s a fair...

Boss Level Film Review

       Boss Level is a new addition to the time loop genre, with a twist. Ex-special forces officer, Roy Pulver, played by Frank Grillo, relives the same day until he dies. Every day he is hunted by assassins and when killed, he wakes up back in his bed where he started, only to have to try and survive all over again. Roy has no idea why he is stuck in this infinite time loop but he must do what he can to survive, and the longer he survives, the more he uncovers about his particular situation.  Unlike most action films that take time to build up, this film gets right into it and offers tons of non-stop combat sequences that would satisfy any lover of action films. Its erratic flow makes for some fun action scenes which come out of nowhere since Roy can expect the assassins to attack at any moment. If you play video games often and have ever been stuck on a level for hours or even days, you know the feeling of having to repeat the same thing over and over again u...