Skip to main content

Fancy Dance | Review by: Benjamin Garrett


 Fancy Dance treads familiar waters in its narrative structure, but is elevated through its authentic portrait of reservation life, and urgent themes surrounding the marginalization of Native peoples. Despite some distracting storytelling flaws, this narrative feature debut from Erica Tremblay is every bit as timely as it ought to be. 


The film follows Jax (Lily Gladstone) - a member of the Seneca People, who’s caring for her 13 year old niece Roki (Isabel DeRoy Olsen) in the wake of her sister’s disappearance. This is part coming-of-age story, part mystery and part road movie. It bounces between exploring Jax and Roki’s bond, the missing person’s investigation (or lack thereof) and Roki wanting to embrace her Seneca heritage. 


Being helmed by a Native American filmmaker, everything about these characters’ experiences and reservation life feels genuine. Not once did I feel like elements were being exaggerated for dramatic effect or glamorized in a way that shied away from some harsh truths. The problems lie more with the way this story is told than the story itself. There is a lot (and I really do mean a lot) of expositional dialogue, which is so unnatural at times it becomes a distraction. There are a handful of really beautiful moments when the film decides to show, rather than tell, but so much of the plot progresses through clunky exposition. 


Lily Gladstone broke onto the scene last year with a powerful performance, and demonstrates her staying power here. Jax carries her burdens and displays a weariness that Gladstone portrays expertly. The real big surprise is Isabel DeRoy Olsen, beautifully capturing Roki’s struggle to preserve important traditions while adapting to a newfound life outside of the reservation.  These two actresses work wonderfully together, giving nuanced performances that balance with each other quite well.


Fancy Dance uses dialogue a little too often in place of organic storytelling, but remains an affecting drama with timely themes and strong performances. The mistreatment and marginalization of Native peoples is something we should all be aware of, which is why films like this - however flawed they may be - are important. 


Fancy Dance is available on Apple TV+ June 28.


3.5/5



Review by: Benjamin Garrett









#review #appletv 

Popular posts from this blog

Rating all V/H/S/Halloween Segments

Like sorting through your candy after a night of trick-or-treating, V/H/S/ Halloween is a mixed bag. The eighth instalment in this cult-favourite horror anthology series comes up short of previous entries, but there are still a couple of treats in here that should satisfy your twisted cravings. A chilling still from V/H/S/ Halloween . Diet Phantasma This wraparound segment follows an R&D team testing a new low-calorie soda made with “real ghosts.” It’s silly fun, but gets a bit repetitive with each new test subject. The commercial playing during the end credits was a nice touch. Rating: ★★½☆ Coochie Coochie Coo This short feels like walking through a haunted house — but not in a good way. The plot is like something torn from a creepypasta thread. Everything is constantly being spelled out in a painfully obvious way. The practical effects and makeup are decent, and this is probably the only segment that comes close to being scary...

The Mandalorian Season 3 Review

  Listen, I love Star Wars. I will always love Star Wars.  The  original and prequel trilogies were a big part of my childhood, and helped shape my love of cinema. While  The   Mandalorian  isn’t among my favourites in  the  franchise, I thought it had a promising first season and a significantly stronger season two. Season three had so much potential, but a frustrating lack of focus held it back from greatness.  This show’s always had a bit of an identity crisis, but it’s never been as clear as it is here. Does it want to be a procedural-style adventure of  the  week, or tell an epic, multi-season spanning arc? Season one leaned toward  the  former, while Season two found a satisfying balance of both. Season three tries to find that balance, but  the  overarching story it wants to tell is bigger than  the  few episodes allotted to do so. There are only 8 chapters, some barely over 30 min. That’s a fair...

The Rip Review

  The Rip is all the evidence you need that a great cast can elevate an otherwise run-of-the-mill movie. Without its impressive A-list roster, this would’ve likely been lost among a crowd of forgettable January dumping ground releases. Throw Matt Damon, Ben Affleck and a handful of other extremely talented actors into the mix, though, and now you’ve got something worth watching.  While there are exceptions that prove the rule, a lot of these police/cartel thrillers are interchangeable when it comes to their cookie-cutter story beats. The Rip breaks exactly zero molds, but it also doesn’t feel as uninspired as it could’ve. There are enough surprises to keep things engaging, and the tension - which the movie often hinges on - is appropriately high strung. The action is punchy and loud, which is no surprise coming from Director Joe Carnahan. While I do have minor issues with some of the sequences feeling a bit choppy in how they were shot and edited, the action is solid and packs...