Skip to main content

Alien: Romulus | Review by: Benjamin Garrett


 In Space, no one can hear you scream, but they’ll certainly be able to hear you in a theatre. Alien: Romulus will have franchise fans cheering, as Fede Alvarez has crafted the best Alien movie since Cameron’s iconic 1986 sequel. 


Stripping the formula back down to its survival horror and action roots, Romulus captures so much of what made the first two films all time classics. It impressively marries the slow burn dread of Alien with the set piece action of Aliens, resulting in a claustrophobic, heart pounding theatrical experience. It doesn’t bog itself down with the series’ complex lore, but also never ignores what past films have established. It sometimes plays like a greatest hits collection, but does it all so well, and takes some big creative swings of its own that set it apart. 


The production design gets top marks, with a refreshing practical approach to set and creature design. We’ve become numb to CGI in modern cinema, so when a film goes above and beyond to deliver so much practically - real, tangible elements that you can almost reach out and touch - that’s something special. The digital effects are equally impressive - save for one really distracting bit of VFX that the movie keeps coming back to. while I enjoyed its part in the plot, I wish it had been approached differently. It’s an unfortunate eyesore in an otherwise incredible looking (and sounding) movie. 


With the exception of Rain and Andy, the characters are a bit one dimensional, but they’re all well acted. Cailee Spaeny does a commendable job stepping into the Ripley-type lead role, getting some truly badass moments of her own. It’s David Jonsson who steals the entire movie though, with his brilliant performance as Andy. In many ways, he’s the emotional anchor of the movie, but also strikes a nuanced balance between empathy and apathy. The chemistry between Jonsson and Spaeny is excellent. 


After decades of underwhelming Alien movies, it seemed like this franchise was ready to say “Game over, man! Game over!” Turns out, all we needed was to go back to the way it all began, and Fede Alvarez did exactly that. Romulus is a welcome return to near peak form, and the best Alien movie in almost 40 years. 


4/5 


Review by: Benjamin Garrett



Popular posts from this blog

Rating all V/H/S/Halloween Segments

Like sorting through your candy after a night of trick-or-treating, V/H/S/ Halloween is a mixed bag. The eighth instalment in this cult-favourite horror anthology series comes up short of previous entries, but there are still a couple of treats in here that should satisfy your twisted cravings. A chilling still from V/H/S/ Halloween . Diet Phantasma This wraparound segment follows an R&D team testing a new low-calorie soda made with “real ghosts.” It’s silly fun, but gets a bit repetitive with each new test subject. The commercial playing during the end credits was a nice touch. Rating: ★★½☆ Coochie Coochie Coo This short feels like walking through a haunted house — but not in a good way. The plot is like something torn from a creepypasta thread. Everything is constantly being spelled out in a painfully obvious way. The practical effects and makeup are decent, and this is probably the only segment that comes close to being scary...

The Mandalorian Season 3 Review

  Listen, I love Star Wars. I will always love Star Wars.  The  original and prequel trilogies were a big part of my childhood, and helped shape my love of cinema. While  The   Mandalorian  isn’t among my favourites in  the  franchise, I thought it had a promising first season and a significantly stronger season two. Season three had so much potential, but a frustrating lack of focus held it back from greatness.  This show’s always had a bit of an identity crisis, but it’s never been as clear as it is here. Does it want to be a procedural-style adventure of  the  week, or tell an epic, multi-season spanning arc? Season one leaned toward  the  former, while Season two found a satisfying balance of both. Season three tries to find that balance, but  the  overarching story it wants to tell is bigger than  the  few episodes allotted to do so. There are only 8 chapters, some barely over 30 min. That’s a fair...

Andor Season 1 Review

I’m going to make a bold statement here, but one I honestly believe to be true. Andor is the best Star Wars has been since the Original Trilogy. Fans in search of epic space battles, lightsaber duels, or a direct connection to the Skywalker Saga may walk away disappointed. However, those in search of a deeper, more mature entry in this long-standing franchise will bask in everything the show has to offer. Star Wars has always been more focused on telling a big, sweeping story filled with exciting action sequences. The galaxy always felt huge, but it never really felt full. Andor changes all of that, with a grounded and personal story unlike anything Star Wars has given us before. This is a thoughtfully constructed, character-driven series that adds depth and life to the galaxy in ways none of the movies or shows have been able to. With twelve episodes, this is the longest Disney Plus series yet, giving the story ample room to breathe and develop at a natural pace. It smartly avoids the...