Anora | TIFF 2024 | Review by: Gal Balaban

 

Sean Baker’s latest film is his biggest, utilizing more settings than his other films yet still addressing issues related to the working class. However, this one isn’t as grounded as his other films about America’s divisions -- and flourishes because of it. The movie effortlessly balances fairy tale romance, screwball comedy, and tense drama, even becoming a hostage thriller of sorts at one point. Mikey Madison delivers a star-making performance as the titular character of Ani. She may be looking for love, control, validation, security, glamour, or respect -- it varies every moment and that’s what makes Ani so unpredictable. She owns the screen with her every move and line. We meet her at her job as an escort, a role that doesn’t normally constitute a movie protagonist, but Mikey is immediately lovable despite her being from a world new to us. All the supporting characters are also expertly utilized, and the look and soundtrack make Anora feel like a lovely adventure… until things soon spiral out of control into a very different mood, yet equally fascinating and out there. 

There may be parts later on that are drawn out, but it never lets go for your attention for a moment as the stakes rise. The ending changed my entire outlook on what the film was really about all along. There’s so much depth to uncover and your expectations are completely flipped in a ruthless, heartbreaking, and unforgettable final act. But Baker’s love for his characters, even the smallest parts, breathe a humanly life through them, and wind up making Anora a beautiful, resonant, and truly one-of-a-kind experience that juggles so much without ever compromising its nature or grasp on the audience.

5/5

Review by: Gal Balaban