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Mission Impossible: The Final Reckoning | Review by: Gal Balaban


 One of the most notoriously enormous franchises ever in scale comes to a close with its most ambitious instalment yet. Tom Cruise’s practical commitment to the action is again breathtaking, especially the set pieces including planes and submarines. Christopher McQuarrie and Cruise are again dedicating everything to creating something gigantic that warrants the moviegoing experience, with nail-biting stakes, jaw-dropping sets, and stunning direction. It’s got a genuine feeling of danger, that the team’s loss could result in truly destructive consequences. It also pushes Ethan to the brink of his values and abilities, as each last film before it has challenged how impossible of a mission he can actually go up against, as well as personal decisions he is faced with. The ensemble cast surrounding him is great, particularly Simon Pegg, while Hayley Atwell sometimes feel pushed too far into the mix to stand out as much as she did in Dead Reckoning and Esai Morales’ villain this time lacks the presence that was felt from him in that film. The standout from the supporting players is definitely Angela Bassett as President Erika Sloane, whose relationship with Ethan Hunt becomes deeper and more complex with their new dynamic of power and the situation at hand.

In an attempt to tie past installments into this finale, the editing does become bloated, with excessive flashbacks to clips from those past films to clarify details most viewers either already know or didn’t need to be shown. Sometimes a quick dialogue exchange or even context clues can give viewers who don’t remember 7 films worth of lore the background they need, but though at times this method is excessive, it becomes rather disorienting. Not to mention, the script is also at times hard to follow, with the logic that needs to be pieced together to follow the story sometimes happening at light speed and may only be completely taken in on rewatches,. Some plot threads feel under-explained when others are given too much explanation. Despite these story and editing issues that are especially prominent in the first hour, the second half is so incredible to watch and some of the stunts feel like a once-in-a-lifetime moment in their realism and scope, and the story arcs continue to escalate until they finally come to a hard-hitting close. It’s ultimately an exhilarating and satisfying conclusion that may not be the best Mission ever, but it’s certainly the biggest and a must-watch on the most massive screen you can find.

4/5


Review by: Gal Balaban

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