Skip to main content

Mission Impossible: The Final Reckoning | Review by: Gal Balaban


 One of the most notoriously enormous franchises ever in scale comes to a close with its most ambitious instalment yet. Tom Cruise’s practical commitment to the action is again breathtaking, especially the set pieces including planes and submarines. Christopher McQuarrie and Cruise are again dedicating everything to creating something gigantic that warrants the moviegoing experience, with nail-biting stakes, jaw-dropping sets, and stunning direction. It’s got a genuine feeling of danger, that the team’s loss could result in truly destructive consequences. It also pushes Ethan to the brink of his values and abilities, as each last film before it has challenged how impossible of a mission he can actually go up against, as well as personal decisions he is faced with. The ensemble cast surrounding him is great, particularly Simon Pegg, while Hayley Atwell sometimes feel pushed too far into the mix to stand out as much as she did in Dead Reckoning and Esai Morales’ villain this time lacks the presence that was felt from him in that film. The standout from the supporting players is definitely Angela Bassett as President Erika Sloane, whose relationship with Ethan Hunt becomes deeper and more complex with their new dynamic of power and the situation at hand.

In an attempt to tie past installments into this finale, the editing does become bloated, with excessive flashbacks to clips from those past films to clarify details most viewers either already know or didn’t need to be shown. Sometimes a quick dialogue exchange or even context clues can give viewers who don’t remember 7 films worth of lore the background they need, but though at times this method is excessive, it becomes rather disorienting. Not to mention, the script is also at times hard to follow, with the logic that needs to be pieced together to follow the story sometimes happening at light speed and may only be completely taken in on rewatches,. Some plot threads feel under-explained when others are given too much explanation. Despite these story and editing issues that are especially prominent in the first hour, the second half is so incredible to watch and some of the stunts feel like a once-in-a-lifetime moment in their realism and scope, and the story arcs continue to escalate until they finally come to a hard-hitting close. It’s ultimately an exhilarating and satisfying conclusion that may not be the best Mission ever, but it’s certainly the biggest and a must-watch on the most massive screen you can find.

4/5


Review by: Gal Balaban

Popular posts from this blog

Rating all V/H/S/Halloween Segments

Like sorting through your candy after a night of trick-or-treating, V/H/S/ Halloween is a mixed bag. The eighth instalment in this cult-favourite horror anthology series comes up short of previous entries, but there are still a couple of treats in here that should satisfy your twisted cravings. A chilling still from V/H/S/ Halloween . Diet Phantasma This wraparound segment follows an R&D team testing a new low-calorie soda made with “real ghosts.” It’s silly fun, but gets a bit repetitive with each new test subject. The commercial playing during the end credits was a nice touch. Rating: ★★½☆ Coochie Coochie Coo This short feels like walking through a haunted house — but not in a good way. The plot is like something torn from a creepypasta thread. Everything is constantly being spelled out in a painfully obvious way. The practical effects and makeup are decent, and this is probably the only segment that comes close to being scary...

The Mandalorian Season 3 Review

  Listen, I love Star Wars. I will always love Star Wars.  The  original and prequel trilogies were a big part of my childhood, and helped shape my love of cinema. While  The   Mandalorian  isn’t among my favourites in  the  franchise, I thought it had a promising first season and a significantly stronger season two. Season three had so much potential, but a frustrating lack of focus held it back from greatness.  This show’s always had a bit of an identity crisis, but it’s never been as clear as it is here. Does it want to be a procedural-style adventure of  the  week, or tell an epic, multi-season spanning arc? Season one leaned toward  the  former, while Season two found a satisfying balance of both. Season three tries to find that balance, but  the  overarching story it wants to tell is bigger than  the  few episodes allotted to do so. There are only 8 chapters, some barely over 30 min. That’s a fair...

Andor Season 1 Review

I’m going to make a bold statement here, but one I honestly believe to be true. Andor is the best Star Wars has been since the Original Trilogy. Fans in search of epic space battles, lightsaber duels, or a direct connection to the Skywalker Saga may walk away disappointed. However, those in search of a deeper, more mature entry in this long-standing franchise will bask in everything the show has to offer. Star Wars has always been more focused on telling a big, sweeping story filled with exciting action sequences. The galaxy always felt huge, but it never really felt full. Andor changes all of that, with a grounded and personal story unlike anything Star Wars has given us before. This is a thoughtfully constructed, character-driven series that adds depth and life to the galaxy in ways none of the movies or shows have been able to. With twelve episodes, this is the longest Disney Plus series yet, giving the story ample room to breathe and develop at a natural pace. It smartly avoids the...