Skip to main content

Fear Street: Prom Queen | Review by: Benjamin Garrett


 There’s something to be said about a bad 80s horror movie. For how corny, poorly written and incredibly dated they are, they’re truly a product of their time, with a sort of undeniable charm. Fear Street: Prom Queen competently replicates bad 80s horror. It feels like something I’d rent from the video store as a kid because it had cool cover art. A bad movie is still a bad movie, though, and a 2025 release can’t fall back on the “product of its time” excuse. 


Let’s start with what works - This really brought me back to a lot of the slasher flicks I watched growing up, and that much was clearly intentional. The camera work, lighting, editing and a lot of the dialogue are ripped right out of your favourite 80s guilty pleasure horror. It feels stiff, and low budget, avoiding modern filmmaking flourishes for the most part. Apart from a plethora of iconic needle drops (which would’ve been far too expensive to license at the time), and some lousy CGI blood, this emulates the genre pretty well. 


And now for everything else…


For a modern slasher flick, this plays everything far too safely. We are in a resurgence of the horror genre right now, and if you want to stand out, you need to innovate, rather than just imitate. Yes, it made me nostalgic for a bygone era of horror, but I can easily access many of those movies across various streaming platforms. This movie does nothing to differentiate itself from the older movies it’s replicating, or the modern movies it’s competing against. The plot is relatively predictable, most of the kills lack innovation, and it’s just missing a sense of creativity. It’s not so bad it’s good, and it’s a nowhere close to being legitimately good either. 


The Fear Street Trilogy was a fun summer event a couple years back. Far from perfect, but the connecting threads between the three instalments gave them a unique hook. Prom Queen is a Fear Street movie in name only - a forgettable addition to the franchise hoping to cash in on brand recognition. Do yourself a favour, and go watch an actual 80s Slasher instead. 


1.5/5 


Review by: Benjamin Garrett 

Popular posts from this blog

The Mandalorian Season 3 Review

  Listen, I love Star Wars. I will always love Star Wars.  The  original and prequel trilogies were a big part of my childhood, and helped shape my love of cinema. While  The   Mandalorian  isn’t among my favourites in  the  franchise, I thought it had a promising first season and a significantly stronger season two. Season three had so much potential, but a frustrating lack of focus held it back from greatness.  This show’s always had a bit of an identity crisis, but it’s never been as clear as it is here. Does it want to be a procedural-style adventure of  the  week, or tell an epic, multi-season spanning arc? Season one leaned toward  the  former, while Season two found a satisfying balance of both. Season three tries to find that balance, but  the  overarching story it wants to tell is bigger than  the  few episodes allotted to do so. There are only 8 chapters, some barely over 30 min. That’s a fair...

Boss Level Film Review

       Boss Level is a new addition to the time loop genre, with a twist. Ex-special forces officer, Roy Pulver, played by Frank Grillo, relives the same day until he dies. Every day he is hunted by assassins and when killed, he wakes up back in his bed where he started, only to have to try and survive all over again. Roy has no idea why he is stuck in this infinite time loop but he must do what he can to survive, and the longer he survives, the more he uncovers about his particular situation.  Unlike most action films that take time to build up, this film gets right into it and offers tons of non-stop combat sequences that would satisfy any lover of action films. Its erratic flow makes for some fun action scenes which come out of nowhere since Roy can expect the assassins to attack at any moment. If you play video games often and have ever been stuck on a level for hours or even days, you know the feeling of having to repeat the same thing over and over again u...

Beautiful Evening, Beautiful Day | Review by: Stefano Bove

  Four close friends and renowned filmmakers in 1959’s Yugoslavia are out to make a feature film of the war. They have a unique perspective and are able to discuss the war as decorated war veterans. Lovro, Nenad, Stevan and Ivan use film to express themselves and criticize society but that doesn’t sit well with the Yugoslavian Communist Party. As The Party steps in to control the film for propagandistic reasons, the four filmmakers fear it may be to gain insight on their sexual orientation. Emir Hadžihafizbegović is entrusted by the head of the Communist Party to oversee the films production but is also told by the party to sabotage the film by any means necessary. Emir as well as our four filmmakers are all exceptional in this film. The dynamic between these five actors is a wave of emotions as Emir hides his true intentions and the filmmakers hide their sexual orientation from the world. The film is in a gorgeous black and white and boasts absolutely stunning cinematography from ...