I’ve never driven a Formula One car, but Joseph Kosinski just put me in the driver’s seat, and took me around the track at 300 kilometres per hour. F1 is a crowd-pleasing, technical powerhouse that outmanoeuvres genre clichés whenever the tires hit the asphalt.
This film doesn’t veer far from the tried and true sports drama formula, ticking genre tropes off like a checklist as its plot unfolds. Yet, it rarely feels like rehashed or tired material, because it plays into those familiar beats quite well. This is a film that knows its strengths lie in its high octane racing sequences, so it fills in the gaps with an enjoyable - if not entirely groundbreaking - plot to take us through the motions, while also allowing us to invest in the characters. There’s a romantic subplot that was cute but unnecessary, and a “villain” reveal I could’ve done without, but none of that is enough to shatter the charm the movie delivers.
A charismatic cast led by the effortlessly charming Brad Pitt makes even the most clichéd moments and dialogue enjoyable. Even when the twists and turns become predicable, you’ll still find yourself rooting for this team of F1 underdogs, because they’re all so damn enjoyable to watch. Honestly, Pitt could have chemistry with a brick wall. He leans into his signature laidback charm and it works perfectly. I absolutely loved his dynamic with the rest of the cast. His character’s rivalry with Damson Idris’ cocky young driver leads to some great confrontations on and off the track. Javier Bardem brings a lot of enthusiasm and passion to his role, and I loved the way he and Pitt bounced off one another as old friends. Kerry Condon is also excellent, and even though her character was a little underwritten at times, she made the most of her time on screen.
But let’s be honest - you aren’t paying extra to see F1 in IMAX or 4DX for its riveting character drama. No, you’re flocking to theatres for the racing sequences, which are plentiful, and beyond masterful on a technical level. The astounding attention to detail Kosinski put into Top Gun: Maverick’s aerial sequences is present here, making for a truly immersive Formula One experience. This is old fashioned filmmaking of the best kind, with an emphasis on practical effects and meticulous production design. I’m no expert on F1 racing, but every single visual and audio element feels right. The cinematography straps you into the cockpit, allowing you to feel like you’re soaring around the track. Having the actors doing much of the driving themselves adds another level of immersion to the already phenomenal race sequences. From the deafening roar of the engines to scorching hot rubber tires taking corners at breakneck speeds - This movie sounds as exceptional as it looks. Hans Zimmer electrifying score kicks it all into overdrive, amplifying the intensity on and off the track.
Although its narrative tread is a little bare and worn, F1 is a true crowd-pleaser, fuelled by its remarkable technical achievements. With a charming cast and some of the most visceral racing sequences you’ve ever seen, this is the definition of a must-see summer blockbuster, and exactly what the big screen was made for.
4/5
Review by: Benjamin Garrett