Eva Victor’s revelatory debut film is raw, uncomfortable, and belly-laughing levels of funny. It provides a deeply personal look into a topic that’s far too real, and not only demands but earns the full attention and empathy of all watching.
Victor’s leading performance as Agnes feels real and pierces into your heart, while their charm and comedic timing are always outstanding. Naomi Ackie gives a sweet turn as Agnes’ best friend Lydie, while Lucas Hedges also shines here, as well as John Carroll Lynch in an unforgettable minor role. Victor’s direction and storytelling brilliantly unveil the truth about this film in the first act, while the script continues to surprise you. The humor is sometimes informed by the serious or the awkward. The laughs hit so hard you’ll feel like you’re on your toes — the moment you feel a line will probably be the funniest and most memorable in the movie, its topped moments later.
The film’s unflinching look at sexual violence and the culture around it also ties in to broad themes about time shaping one’s life and soul. The film isn’t optimistic and loving despite the heavy subject matter, but because of its aftermath and the character’s journey to finding purpose again after experiencing something unspeakable. Perhaps by speaking about such things, as the film hints, hope can come through support and redemption. Sorry, Baby is one of the year’s essential watches with a magnificent story and perspective that resonate long after the credits roll.
4.5/5
Review by: Gal Balaban