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Eleanor the Great | TIFF 2025 | Review by: Gal Balaban


 Scarlett Johansson's directorial debut is filled with warmth and charm, despite its morally problematic storyline and protagonist who's still sympathetic. June Squibb is effortlessly hilarious in a brilliant and deep performance as a 94-year-old woman fearing loneliness at the end of her life, who strikes up a bond with a young journalist student Nina, played by Erin Kellyman in her best performance yet. Their on-screen connection is palpable and entertaining, while Nina (Kellyman) has a rather cold relationship with her father (Chiwetel Ejiofor), who has felt distant to her since the passing of her mother. 


Beyond its heartfelt runtime, and despite a weak climax, the film does a tremendous job at shining a spotlight on Holocaust survivors, through Eleanor's relationship with her lifelong best friend Bessie, a survivor from Poland. The film showcases their trauma and the importance of their stories, as well as modern Jewish culture in New York. The directions the story takes in that regard may be uncomfortable for some from a moral standpoint due to a large decision the main character makes, but still winds up in a sweet and positive place.

3.5/5

Review by: Gal Balaban 

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