Skip to main content

Frankenstein | TIFF 2025 | Review by: Benjamin Garrett

 It feels like fate that the maestro of movie monsters has finally taken on the most iconic one of them all. Guillermo Del Toro’s Frankenstein is a gorgeous, haunting, immensely faithful adaptation of Mary Shelley’s two-century-old classic. Despite some minor pacing and structural issues, this may very well be the definitive Frankenstein movie.


Del Toro’s production design is unlike any other, with his stunning attention to detail remaining as impressive as ever. Each breathtaking set is brimming with detail. Whether it’s a ship frozen in the arctic ice, or Victor’s laboratory, the craftsmanship is paired with a pitch-perfect sense of gothic horror atmosphere, that truly immerses you. Bursts of shocking gore and grotesque imagery contrast nicely with the story’s moments of beauty and poignancy. There are a few instances of CGI that, while not bad, slightly distract from the meticulously crafted practical components, but otherwise this is another visual feast from Del Toro. 


I’m assuming we’re all familiar with the basic premise of this story, and its timeless themes that have echoed through literature and cinema since it was first published. Del Toro has preserved the heart of the original novel beautifully, taking a methodically paced approach to fleshing out each of the main characters. In fact, the film is split into chapters, chronicling Victor and his monster’s contrasting points of view. Despite a runtime of nearly two and a half hours, the movie is paced rather well - up until a final act that rushes through some key story components. I’m not saying I wish it were any longer, but there are scenes that could’ve been trimmed to give other crucial narrative details room to breathe. 


This story depends on the volatile relationship between Victor Frankenstein and his monster. Oscar Isaac plays Victor with the perfect amount of morbid curiosity and impatience for things he can’t understand. Jacob Elordi’s turn as the monster will break your heart, as he attempts to navigate new life without the patience of a teacher willing to show him the way. Mia Goth brings warmth and humanity to her role as Elizabeth, forming a touching connection with the monster. I wish she had more screen time with Elordi, but what we do get is enough to make their part of the story resonate emotionally. 


It’s alive! It’s alive! Guillermo Del Toro has given new life to Mary Shelley’s iconic story. This faithful adaptation preserves the still-timely themes of its source material, with grand, grotesque and gothic cinematic flair. 


4/5 

Popular posts from this blog

Rating all V/H/S/Halloween Segments

Like sorting through your candy after a night of trick-or-treating, V/H/S/ Halloween is a mixed bag. The eighth instalment in this cult-favourite horror anthology series comes up short of previous entries, but there are still a couple of treats in here that should satisfy your twisted cravings. A chilling still from V/H/S/ Halloween . Diet Phantasma This wraparound segment follows an R&D team testing a new low-calorie soda made with “real ghosts.” It’s silly fun, but gets a bit repetitive with each new test subject. The commercial playing during the end credits was a nice touch. Rating: ★★½☆ Coochie Coochie Coo This short feels like walking through a haunted house — but not in a good way. The plot is like something torn from a creepypasta thread. Everything is constantly being spelled out in a painfully obvious way. The practical effects and makeup are decent, and this is probably the only segment that comes close to being scary...

The Mandalorian Season 3 Review

  Listen, I love Star Wars. I will always love Star Wars.  The  original and prequel trilogies were a big part of my childhood, and helped shape my love of cinema. While  The   Mandalorian  isn’t among my favourites in  the  franchise, I thought it had a promising first season and a significantly stronger season two. Season three had so much potential, but a frustrating lack of focus held it back from greatness.  This show’s always had a bit of an identity crisis, but it’s never been as clear as it is here. Does it want to be a procedural-style adventure of  the  week, or tell an epic, multi-season spanning arc? Season one leaned toward  the  former, while Season two found a satisfying balance of both. Season three tries to find that balance, but  the  overarching story it wants to tell is bigger than  the  few episodes allotted to do so. There are only 8 chapters, some barely over 30 min. That’s a fair...

The Rip Review

  The Rip is all the evidence you need that a great cast can elevate an otherwise run-of-the-mill movie. Without its impressive A-list roster, this would’ve likely been lost among a crowd of forgettable January dumping ground releases. Throw Matt Damon, Ben Affleck and a handful of other extremely talented actors into the mix, though, and now you’ve got something worth watching.  While there are exceptions that prove the rule, a lot of these police/cartel thrillers are interchangeable when it comes to their cookie-cutter story beats. The Rip breaks exactly zero molds, but it also doesn’t feel as uninspired as it could’ve. There are enough surprises to keep things engaging, and the tension - which the movie often hinges on - is appropriately high strung. The action is punchy and loud, which is no surprise coming from Director Joe Carnahan. While I do have minor issues with some of the sequences feeling a bit choppy in how they were shot and edited, the action is solid and packs...