Skip to main content

Normal | TIFF 2025 | Review by: Benjamin Garrett

 If I had a nickel for every unexceptional 2025 Bob Odenkirk movie elevated by its action, I’d have ten cents. Normal banks on its punchy, violent mayhem to compensate for its barely-there plot, but if you’re solely here for the carnage, it delivers as advertised. 


Bob Odenkirk stars as an interim sheriff assigned to a small Minnesotan town called Normal. It quickly becomes evident that not all is as it seems with this simple, overly friendly community. I guess you could say it isn’t… normal. Co-written by John Wick co-creator Derek Kolstad, this fits comfortable into his repertoire of high octane action. The plot is serviceable but paper thin - even nonsensical if you dissect it even slightly.  It isn’t long before we get our first glimpse of Chekhov’s gun (and grenade launcher, and knife, and dynamite). You know it’s all going to come into play, and it’s just a matter of waiting in anticipation until the chaos begins.


Director Ben Wheatley is a maestro of chaos, and although I wouldn’t call any of the action innovative or praiseworthy, it’s loud, kinetic and viscerally entertaining. From the “thwump” of a grenade launcher lobbing a projectile into a crowd, to a barrage of bullets chipping away at a marble bank pillar, every shot packs a real punch. Most of the action takes place during a snowstorm after dusk. Even though the movie is pretty playful in tone, the atmosphere is eerie enough to provide some chilling tension. It’s easy to get lost in the mayhem, and I wish some of the action sequences had been directed with more visual pizazz, but overall the action provides solid turn your brain off entertainment value. 


Normal’s frenetic action works overtime to make up for a hollow script that’s shooting blanks. Bob Odenkirk is an expectedly sturdy protagonist, and sometimes, those two things are all you need to make a solid shoot-em-up flick. 


3/5 


Review by: Benjamin Garrett 

Popular posts from this blog

Rating all V/H/S/Halloween Segments

Like sorting through your candy after a night of trick-or-treating, V/H/S/ Halloween is a mixed bag. The eighth instalment in this cult-favourite horror anthology series comes up short of previous entries, but there are still a couple of treats in here that should satisfy your twisted cravings. A chilling still from V/H/S/ Halloween . Diet Phantasma This wraparound segment follows an R&D team testing a new low-calorie soda made with “real ghosts.” It’s silly fun, but gets a bit repetitive with each new test subject. The commercial playing during the end credits was a nice touch. Rating: ★★½☆ Coochie Coochie Coo This short feels like walking through a haunted house — but not in a good way. The plot is like something torn from a creepypasta thread. Everything is constantly being spelled out in a painfully obvious way. The practical effects and makeup are decent, and this is probably the only segment that comes close to being scary...

The Mandalorian Season 3 Review

  Listen, I love Star Wars. I will always love Star Wars.  The  original and prequel trilogies were a big part of my childhood, and helped shape my love of cinema. While  The   Mandalorian  isn’t among my favourites in  the  franchise, I thought it had a promising first season and a significantly stronger season two. Season three had so much potential, but a frustrating lack of focus held it back from greatness.  This show’s always had a bit of an identity crisis, but it’s never been as clear as it is here. Does it want to be a procedural-style adventure of  the  week, or tell an epic, multi-season spanning arc? Season one leaned toward  the  former, while Season two found a satisfying balance of both. Season three tries to find that balance, but  the  overarching story it wants to tell is bigger than  the  few episodes allotted to do so. There are only 8 chapters, some barely over 30 min. That’s a fair...

The Rip Review

  The Rip is all the evidence you need that a great cast can elevate an otherwise run-of-the-mill movie. Without its impressive A-list roster, this would’ve likely been lost among a crowd of forgettable January dumping ground releases. Throw Matt Damon, Ben Affleck and a handful of other extremely talented actors into the mix, though, and now you’ve got something worth watching.  While there are exceptions that prove the rule, a lot of these police/cartel thrillers are interchangeable when it comes to their cookie-cutter story beats. The Rip breaks exactly zero molds, but it also doesn’t feel as uninspired as it could’ve. There are enough surprises to keep things engaging, and the tension - which the movie often hinges on - is appropriately high strung. The action is punchy and loud, which is no surprise coming from Director Joe Carnahan. While I do have minor issues with some of the sequences feeling a bit choppy in how they were shot and edited, the action is solid and packs...