Horror sequels rarely live up to their predecessors — half the time, none of the original cast or crew are even involved. The Black Phone 2 reunites director Scott Derrickson with his original cast and screenwriting partner to deliver a solid sequel held back by one fatal flaw.
Whereas the first movie followed Mason Thames as Finny, this sequel shifts him into a major supporting role, with Madeleine McGraw’s Gwen taking over as the lead. Honestly, this is one of the best decisions Derrickson could’ve made. The story feels like a natural progression in the aftermath of the first film’s events without retreading old ground. Gwen’s dream abilities are further explored, acting as a conduit for The Grabber’s return. The sequel doesn’t hide its inspirations, drawing from iconic genre staples like Nightmare on Elm Street, The Shining, and even Derrickson’s own Sinister. It borrows heavily from the genre yet feels distinct enough to stand on its own.
Where this film fumbles big time is in its inability to follow its own rules — or lack thereof. The plot plays fast and loose with how the living and dead are able to communicate and interact. It establishes one thing, only to abandon it whenever convenient for advancing the narrative. What exactly is The Grabber capable of, and who can be affected? Why does Gwen initially need to be sleepwalking to connect, but later possesses the same abilities while stationary in bed? If you’re willing to overlook the sloppy supernatural logic, everything else works fairly well — but I found it far too convoluted to ignore.
Much like Sinister’s underwhelming script was elevated by its disturbing visuals, the same is true here. Derrickson has an incredible knack for his signature vintage analog aesthetic, which is by far the highlight of the film. The velvety, softly focused film-stock look is used whenever we’re trapped in one of Gwen’s dreams. It’s gorgeous in a warm, nostalgic way, yet deeply unsettling because of its voyeuristic nature. The way the camera floats around, often losing direct focus on its subject, creates an eerie sense of realism. The dream imagery is often horrific — more like waking nightmares — and the haunting sound design and score immerse you completely in these sequences.
It’s great to see the original cast return with a refreshing new dynamic. Gwen takes center stage this time, but Finny still plays a meaningful role in the story. Madeleine McGraw shines, especially when conveying Gwen’s emotional turmoil. Mason Thames continues to impress, perfectly capturing Finny’s PTSD from his ordeal in The Grabber’s basement. The sibling dynamic is well balanced, with both characters using their abilities in tandem. The Grabber himself remains a pathetic yet menacing presence — and making him a supernatural incarnation this time only heightens the horror. Ethan Hawke delivers a chilling performance, his line delivery dripping with playful malevolence.
The Black Phone 2 is a respectable sequel that could’ve been great with a bit more care and consistency in its script. Despite the messy supernatural logic, the eerie atmosphere and ethereal analog dream sequences make it worth the price of admission. So if your phone rings and the caller invites you to see this movie, you might want to pick up.
Rating: ★★★½
Review by: Benjamin Garrett