Skip to main content

Now You See Me: Now You Don't Review

Now You See Me: Now You Don’t is devoid of the fugitive thrills, star charisma, and moral ambiguity that made the first film remotely a success. Instead, it turns its protagonists into superheroes with plot conveniences at their disposal, and none of the big names in the cast really get to shine their personalities. Every character feels empty, with the exceptions of those played by Dominic Sessa, Ariana Greenblatt, and Morgan Freeman. Rosamund Pike is given truly awful material to work with and a very odd South African accent.

Now You See Me: Now You Don’t

The movie struggles to answer the question of why this sequel exists so many years later. Why this heist? Why this villain? The stakes feel rather low for a third film, and when the script finally comes around to attempting satisfying responses, you’re left wishing you had not heard them. The movie is not even quite able to explain why we should be impressed by these magicians, or if what they are doing has any meaning at all beyond prestige. Things happen because the story begs them to, but a late-act turn manages to make any development feel null and void anyway. The action ranges from fine to riddled with glaring gaps in logic, and even when the movie begs you to turn off your brain and enjoy the fights and humor, there is a real lack of excitement and very irritating script choices in the way.

Like the Horsemen’s magic tricks, Now You See Me: Now You Don’t feels forcefully manufactured for a wide audience. If you enjoyed both previous films, this one delivers more of the same, but it seriously fails to justify its existence beyond some big visuals and sets, even with all the star power and energy on deck.

Rating: ★★☆☆☆

Review by: Gal Balaban

Popular posts from this blog

The Mandalorian Season 3 Review

  Listen, I love Star Wars. I will always love Star Wars.  The  original and prequel trilogies were a big part of my childhood, and helped shape my love of cinema. While  The   Mandalorian  isn’t among my favourites in  the  franchise, I thought it had a promising first season and a significantly stronger season two. Season three had so much potential, but a frustrating lack of focus held it back from greatness.  This show’s always had a bit of an identity crisis, but it’s never been as clear as it is here. Does it want to be a procedural-style adventure of  the  week, or tell an epic, multi-season spanning arc? Season one leaned toward  the  former, while Season two found a satisfying balance of both. Season three tries to find that balance, but  the  overarching story it wants to tell is bigger than  the  few episodes allotted to do so. There are only 8 chapters, some barely over 30 min. That’s a fair...

Boss Level Film Review

       Boss Level is a new addition to the time loop genre, with a twist. Ex-special forces officer, Roy Pulver, played by Frank Grillo, relives the same day until he dies. Every day he is hunted by assassins and when killed, he wakes up back in his bed where he started, only to have to try and survive all over again. Roy has no idea why he is stuck in this infinite time loop but he must do what he can to survive, and the longer he survives, the more he uncovers about his particular situation.  Unlike most action films that take time to build up, this film gets right into it and offers tons of non-stop combat sequences that would satisfy any lover of action films. Its erratic flow makes for some fun action scenes which come out of nowhere since Roy can expect the assassins to attack at any moment. If you play video games often and have ever been stuck on a level for hours or even days, you know the feeling of having to repeat the same thing over and over again u...

Beautiful Evening, Beautiful Day | Review by: Stefano Bove

  Four close friends and renowned filmmakers in 1959’s Yugoslavia are out to make a feature film of the war. They have a unique perspective and are able to discuss the war as decorated war veterans. Lovro, Nenad, Stevan and Ivan use film to express themselves and criticize society but that doesn’t sit well with the Yugoslavian Communist Party. As The Party steps in to control the film for propagandistic reasons, the four filmmakers fear it may be to gain insight on their sexual orientation. Emir Hadžihafizbegović is entrusted by the head of the Communist Party to oversee the films production but is also told by the party to sabotage the film by any means necessary. Emir as well as our four filmmakers are all exceptional in this film. The dynamic between these five actors is a wave of emotions as Emir hides his true intentions and the filmmakers hide their sexual orientation from the world. The film is in a gorgeous black and white and boasts absolutely stunning cinematography from ...