The Running Man is not the first film adaptation of the Stephen King novel, but it is the rare reimagining that not only justifies its existence by taking a completely different and more faithful direction, but also tops the original film by far. Edgar Wright’s love of filmmaking shines through in all his projects, no matter the scale or setting. This one is a lot more self-serious than his other works, but enough irreverence and humor still shines through to balance it out. Glen Powell’s action-star presence gives the film much flare and entertainment, making Ben Richards a fun character to root for, even when some of his characteristics do not always add up (a subplot about his anger issues becomes irrelevant after the opening minutes). Colman Domingo is also a riveting standout as the host of the titular game show, giving both the dialogue and performance his all. His scenes of commentary and theatrics elevate much of the film.
Though its themes have been explored in other films, including many recent ones, this adaptation very intriguingly explores how capitalism and consumerism enslave the working class through sadistic entertainment. It hits close to home while still evoking something distinct from our own reality. The pace is fast enough for the audience to root for our hero and become invested in its vibrant world-building and energy. The action is bloody and creative without feeling overly cartoonish, fitting neatly within the world of the film. Its narrative directions are thrilling, and the humor and dark satire blend together effectively. This modern adaptation not only works far better than its predecessor, but it is also a winning ride for action fans and for the always charismatic Powell.
Rating: ★★★★☆
Review by: Gal Balaban