Skip to main content

One More Shot

 One More Shot (2025) is an Australian fantasy-comedy set on New Year’s Eve 1999. The film stars Emily Browning as Minnie Vernon, a young woman dissatisfied with the direction of her life as the new millennium approaches. After Minnie discovers a mysterious bottle of tequila that resets the night each time she takes a shot, she gets trapped in a time loop that forces her to repeat the night over and over, well technically she could stop at any moment but where is the fun in that? With each reset, she attempts to undo past regrets, repair strained relationships, and rekindle a lost romance, believing that a perfect sequence of choices might finally bring her happiness. Who hasn’t done something so dumb that they drink tequila to forget everything that happened? 


Following a fairly standard approach to the time loop film, One More Shot introduces us to a group of friends and slowly allows us to get to know them through the format of the story. Minnie is also out of the loop on many things happening in her friends' lives and her discoveries lead to more confusion on which future to stick with. 

The film explores themes of personal responsibility, self-acceptance, and the idea that meaningful change comes not from endless second chances, but from genuine growth. Everyone is afraid of change and most people use the new year as a fresh start but Minnie is unwilling to move on and must learn the hard way.

One More Shot puts a new spin on the time-loop genre. A bottle of tequila may not be the most inventive, but it definitely creates some unique laughs Along the way. Emily Brownings energetic and spontaneous performance really helps sell the journey into the new millennium. The few unexpected twists at the end also help stick the landing of the tequila filled adventure.

Rating: ★★★½

Review by: Stefano Bove 




Popular posts from this blog

Rating all V/H/S/Halloween Segments

Like sorting through your candy after a night of trick-or-treating, V/H/S/ Halloween is a mixed bag. The eighth instalment in this cult-favourite horror anthology series comes up short of previous entries, but there are still a couple of treats in here that should satisfy your twisted cravings. A chilling still from V/H/S/ Halloween . Diet Phantasma This wraparound segment follows an R&D team testing a new low-calorie soda made with “real ghosts.” It’s silly fun, but gets a bit repetitive with each new test subject. The commercial playing during the end credits was a nice touch. Rating: ★★½☆ Coochie Coochie Coo This short feels like walking through a haunted house — but not in a good way. The plot is like something torn from a creepypasta thread. Everything is constantly being spelled out in a painfully obvious way. The practical effects and makeup are decent, and this is probably the only segment that comes close to being scary...

The Mandalorian Season 3 Review

  Listen, I love Star Wars. I will always love Star Wars.  The  original and prequel trilogies were a big part of my childhood, and helped shape my love of cinema. While  The   Mandalorian  isn’t among my favourites in  the  franchise, I thought it had a promising first season and a significantly stronger season two. Season three had so much potential, but a frustrating lack of focus held it back from greatness.  This show’s always had a bit of an identity crisis, but it’s never been as clear as it is here. Does it want to be a procedural-style adventure of  the  week, or tell an epic, multi-season spanning arc? Season one leaned toward  the  former, while Season two found a satisfying balance of both. Season three tries to find that balance, but  the  overarching story it wants to tell is bigger than  the  few episodes allotted to do so. There are only 8 chapters, some barely over 30 min. That’s a fair...

The Rip Review

  The Rip is all the evidence you need that a great cast can elevate an otherwise run-of-the-mill movie. Without its impressive A-list roster, this would’ve likely been lost among a crowd of forgettable January dumping ground releases. Throw Matt Damon, Ben Affleck and a handful of other extremely talented actors into the mix, though, and now you’ve got something worth watching.  While there are exceptions that prove the rule, a lot of these police/cartel thrillers are interchangeable when it comes to their cookie-cutter story beats. The Rip breaks exactly zero molds, but it also doesn’t feel as uninspired as it could’ve. There are enough surprises to keep things engaging, and the tension - which the movie often hinges on - is appropriately high strung. The action is punchy and loud, which is no surprise coming from Director Joe Carnahan. While I do have minor issues with some of the sequences feeling a bit choppy in how they were shot and edited, the action is solid and packs...